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HE For the second time in three episodes, the Decades of Horror s Grue-Crew covers a film with major voodoo connections See Episode - Angel Heart , Johnny Smith wakes from a coma, only to find he has lost five years of his life since his car accident, and yet gained psychic powers. Foreseeing the future appears to be a 'gift' at first, but ends up causing problems Crystal is all about Christopher Walken and she throws Brooke Adams some praise as well.

Decades of Horror s Episode — Angel Heart Harry Angel, a private investigator, is hired by a man who calls himself Louis Cyphre to track down a singer named Johnny Favorite. But the investigation takes an unexpected and somber turn.

Bill keeps on about the not-so-subtle names of the characters but appreciates the acting and the look of the film. Lisa Bonet is the star attraction for Crystal but she laments the predictability of the story. Your 70s Grue-Crew also gets into the development of the film which includes names like John Frankenheimer and Robert Redford. Despite their poking some fun at this film, your Grue-Crew recommends it for the setpieces, the acting, and the neo-noir look of the film.

You see, due to a technical glitch, everyone sounded like Killer Klowns on the first go-around so they had to record this episode a second time. They got a little slap-happy in the process and, well, they now know whether or not Crystal likes ice cream.

At any rate, they do get to Killer Klowns from Outer Space and reach a quick, unanimous consensus: they love it! Jeff was the Killer Klowns virgin of the crew, but he got so excited after their first attempt at recording the episode, he purchased the Blu ray and took a dive into the extras. This was indeed a great pick by Crystal and she recounts exactly why she loves it so much.

Bill is impressed with the practical effects and sympathizes with the problems that had to be dealt with while filming something like Killer Klowns from Outer Space that seems to be a creation like no other. From Chad, we learn about yet another childhood fear of his. At this writing, it is available to stream and on a fine Arrow Video Blu ray. In episode , the 80s Grue-Crew will take a broom to Street Trash Oh yes, they will. But wear a damn rubber! Everybody's got the damn herpes these days!

Decades of Horror s Episode — Creepshow Mohr and Dave Dreher on episode 94 in October When a movie is directed by George A. Marshall; do you need to know anything else? Neither did the Decades of Horror s Grue-Crew. Decades of Horror s Episode — Humanoids from the Deep Scientific experiments backfire and produce horrific mutations - half man, half fish - which terrorize a small fishing village by killing the men and raping the women. What can you say? Chad, however, explains that Humanoids from the Deep is a pure s horror film and must be viewed as a product of its time and the rest of the Grue-Crew agree.

Crystal wonders why there are no female humanoids and questions the science behind the science fiction. Stupid quotes from the film get Jeff going but he manages to stop giggling long enough to point out the involvement of James Horner, an Academy Award-winning composer.

If you like Roger Corman and you like your 80s horror sans any resemblance of political correctness, Humanoids from the Deep should be just the entree to satisfy your appetite. They want to hear from you — the coolest, grooviest fans! Leave them a message or leave a comment on the site or email the Decades of Horror s podcast hosts at feedback gruesomemagazine.

Decades of Horror s Episode — The Thing A research team in Antarctica is hunted by a shape-shifting alien that assumes the appearance of its victims. So why another episode on the same film? At any rate, here you go. Chad talks about his love for The Thing and the effect it had on his artistic work. Your s Grue-Crew love talking The Thing and are impressed with how a year-old film is able to spark such discussions. They could probably spend a couple more episodes discussing the merits of this landmark film.

Decades of Horror s Episode — Re-Animator After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue. She also admits to a big fan-crush on Jeffrey Combs and thinks the ever-youthful Barbara Crampton must be bathing in the blood of children. All-in-all, the s Grue-Crew thinks Re-Animator is a film worthy of inclusion in the collection of every horror fan.

You can bet your ass. In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living.

He also emphasizes the importance of the production design by Massimo Antonello Geleng in creating the look of City of the Living Dead. He is also enthralled by the idea that a priest committing suicide could open a gate of hell and cause the dead to rise. As you might have noticed, the Gruesome Magazine Decades of Horror s is back from its hiatus with a completely new Grue-Crew.

They plan to fit into the new Decades of Horror 3-week rotation with The Classic Era and the s and hope they can live up to the standards set by the previous Decades of Horror s Grue-Crews. I just wanna look good for the boys. You did remember to invite some cute boys to the party I hope. Christopher G. But You'll have a hell of a time. Tenney's classic Eighties gorefest, introducing "Angela" to genre fans in October of Amelia "Mimi" Kinkade stars as Angela who, along with her partner in crime Suzanne playing by the wonderful Linnea Quigley , invites a number of her high school classmates to a Halloween party in an abandoned, notorious funeral parlor called "Hull House.

Christopher and Vanessa revisit Night of the Demons discussing the direction, the cast, and the effects by Steve Johnson. With this episode, Christopher introduces a new set of segments to spotlight the decade in which it was made, the s. Relive the fashion, the dialog, the products, the attitudes that made the Eighties one of the most energetic, fun, and often campy decades ever. Ten teenagers party at an abandoned funeral parlor on Halloween night.

When an evil force awakens, demonic spirits keep them from leaving and turn their gathering into a living Hell. I guess it's coal for everyone! What better way to celebrate the holiday season than to consume the season psychotic slasher film of festive fear and crimson cheer.

What's surprising is how Christmas Evil treats its lead villain, Brandon Maggart as Harry, a demented, blood-thirsty Santa. The film examines the motivation behind Harry's fall into uncontrollable and deadly fantasy with purpose and care, wrapping his demise in a bow of horror and spurts of splatter.

Perhaps the best way to enjoy Christmas Evil is to consider the film as being told by Harry, who is an unreliable narrator. How else to explain some of the bizarre experiences in the film, including but not limited to a mob of torch-wielding villagers and a skyward flight toward the Christmas sky. Christopher, Doc, and Chad take a long look at a forgotten and often overlooked entry into X-Mas horror films. A toy factory worker, mentally scarred as a child upon learning Santa Claus is not real, suffers a nervous breakdown after being belittled at work, and embarks on a Yuletide killing spree.

I really liked the outfit she had on. Suddenly, all was right in the horror world, but watch out for that Imp! Christopher has been clamoring for this film to be included on the podcast since long before he joined the show. Hold on to your Imps. This film feels very much like a "Charles Band" film, director David DeCoteau brings an innocent but dirty charm to the film with his direction, shot choices, and cast.

There are 80s cinematic classics that push the envelope, then there are films like Sorority Babes in the Slimeball Bowl-O-Rama - and, sometimes, that's all you need. As part of a sorority ritual, pledges and their male companions steal a trophy from a bowling alley; unbeknownst to them, it contains a devilish imp who makes their lives a living Hell.

The film partially delivers with Stan Winston creature effects that hold up and the presence of a young Demi Moore. And, then there is the 3-D, effective and restrained, not as over-the-top as later films or the previous Comin' At You. On Horror News Radio, week after week, as the Grue-Crew mentioned the upcoming Splatterflix Film Series, Christopher shared his memories of seeing stills from Parasite in Fangoria, specifically the shot of a victim with a hollow pipe sticking out of his chest with blood dripping out the far end.

Each week, we would eagerly announce that Parasite would be showing at the event. To see Parasite in 3-D would certainly be amazing. On Saturday, October 13, , Christopher is finally able to see this scene on the big screen Finally, all is right in the world.

But, let's not forget this is a Charles Band film. Despite his reputation, Parasite proves there is more to the low-budget legendary director than mere schlock and exploitation This is mostly due to the terrific early effects work from Stan Winston, a quick plot, and retro-fueled fascination in its 80s 3-D work.

While not a masterpiece by any stretch of the imagination, it may be better than the discouraging reviews heaped upon the film during its release. Christopher and Doc take a look at the film, the cast, the director, the 3-D, and the Parasite creature itself this week. It's in 3-D, so you know Doc is happy. Take a listen, and you may be convinced to give the film a second chance Paul Dean has created a deadly parasite that is now attached to his stomach.

He and his female companion, Patricia Welles, must find a way to destroy it while also trying to avoid Ricus, his rednecks, and an evil government agent named Merchant. Hell, the trailer amped up that pledge with Mr. King proclaiming he would "scare the hell out you! The cast and the effects are examined along with the conflicting internal logic the film sometimes follows. It's all here for a special episode demanded by the DoH listeners: Maximum Overdrive.

When Earth passes through the tail of Rea-M rogue comet, the machines come to life and start to kill mankind. A group of survivors is under siege from fierce trucks at the Dixie Boy truck stop gas station and they have to fight to survive. Mausoleum" the tagline for Mausoleum sets us up for a bizarre, zany, gory, and often super-silly overlooked horror classic from !

The film features Bobbie Bresee in - and out - of full monster make-up complete with Practical effects for the win! Doc Rotten and Christopher G. Josh shares how Mausoleum was a VHS staple for him growing up, watching the film over and over from the local video store.

Doc shares that he caught the film first at a drive-in double feature paired with Lucio Fulci's The Gates of Hell. The film is perhaps best remembered for its better than expected, if not spectacular, monster designs and effects. If nothing else, the demon monster in Mausoleum is a memorable creation with its glowing green eyes, snarling mouth, and What else can you say?

This alien is out to hunt and kill its prey: humans. A team of special force ops, led by a tough but fair soldier, Major "Dutch" Schaefer, are ordered to assist CIA man, Colonel Al Dillon, on a rescue mission for potential survivors of a Helicopter downed over remote South American jungle. Not long after they land, Dutch and his team discover that they have been sent in under false pretenses. This deception turns out to be the least of their worries though, when they find themselves being methodically hunted by something not of this world.

Party all night. Never grow old. Never die. It's fun to be a vampire. No sparkles here, folks! Released in , The Lost Boys introduced horror fans to a variety of iconic horror flash and style rarely matched in this day-and-age. Keifer Sutherland makes a striking impression as David, the blonde leader of the gothic punk vampires and Jason Patric son of Exorcist star Jason Miller emo-acts his way into every young girl's heart.

A mother and her two sons move to a small coast town in California. The town is plagued by bikers and some mysterious deaths. The younger boy makes friends with two other boys who claim to be vampire hunters while the older boy is drawn into the gang of bikers by a beautiful girl. The older boy starts sleeping days and staying out all night while the younger boy starts getting into trouble because of his friends' obsession. It took my little girl. I wasn't prepared to stop it then but I'm gonna stop it now.

What the what? Thankfully George has his awesome yellow hat. Who can blame him? Acadamy Award winner George Kennedy spends 3 days on set to give the film some pedigree. The film promises Bigfoot vs George Kennedy and it delivers that regardless of how good - or bad - the Bigfoot looks. Thankfully we also have Michelle Bauer on hand to liven up the scenery. Christopher and Doc share watching the film on the big screen recently at the Raleigh Alamo Drafthouse theater in all its VHS glory - a perfect way to experience this goofy wonky classic.

Dave remembers grabbing this one off the rental shelves in and was thrilled to revisit this schlockfest. A vengeance-crazed hunter searching for his daughter Five youths stalking an inhuman mutation They have just stepped into the alien-spawned realm of Demonwarp The midnight hour is close at hand. Creatures crawl in search of blood. Breaking out of our norm of covering horror films of the decades, for our special 2nd year anniversary episode we dive into the music videos that defined the Eighties, especially those with a tinge of horror to them.

Join Dave Dreher, Christopher G. Moore, and Doc Rotten on this special visit back to when MTV played music videos 24x7 and some of them were as scary as they were awesome For this episode, with the help of previous co-host and Decades of Horror co-founder Thomas Mariani, we dropped a list of 15 horror-themed music videos for the grue-believers to vote on.

The top 10 of that list, we discuss on this podcast. We also present some missed classics as provided by fans of the show and some congratulations on our 2nd anniversary. Thank you all for participating and listening. A killer buried, but not dead.

A curse on Crystal Lake, a death curse: Jason Voorhees' curse. After being stuck at the bottom of Camp Crystal Lake in the last film, Jason is awoken by a young lady named Tina Lar Park Lincoln with psychic abilities.

It's essentially Carrie vs. It was a time when the MPAA became more critical of violence, causing the iconic kills the franchise was known for to be cut down severely. Director John Carl Buechler has been publically against how this turned out and we've only seen daily footage of the kills.

Some of them were pretty gruesome, but alas not to be. Which makes some of the teen stuff all the more of a slog to get through. Luckily, Doc Rotten, Christopher G. All of them appreciate the final fight with Tina and the ambition of having a superpowered heroine fight Jason. Especially when that Jason is played for the first time by iconic stuntman Kane Hodder.

Yet, there's plenty of issues to have with the editing and lack originality amongst the supporting cast. All this and more is discussed on Decades of Horror s! Buried in the Eighties coming-at-you 3-D effects is a butchered story about the Brody boys all grown up and facing a great white shark of their own Dennis Quaid and Bess Armstrong lead the cast while first-time and only-time director Joe Alves lobs fish, arms, and shark teeth into the audience's lap.

Seen in 3-D for this episode, Thomas, Doc, and Christopher are joined by Paul Cardullo to relish in the wacky cinematic fad. The resulting film, however, does not feel like any other example of Matheson's work. He has gone on record stating his original script was "bedeviled by script-doctors. Thomas has yet to forgive Doc for this So grab a shovel and your favorite subliminal death metal albums as we try to squash out some demons before they disrupt our 80s house party!

Young Glen and his older sister Al Christa Denton have the house to themselves for the weekend while their parents are out. So, while Al is having her friends over for a big party, Glen and his friend Terry are dealing with a mysterious geode they found in the sinkhole in the backyard.

That geode manages to scrawl some incantation on a notepad that the kids read, unleashing demons upon their suburban house. Corpses from walls, dads with melting faces and moms-turned-to-dogs ensue from there. To dissect this horror film for all ages, kids at heart Doc Rotten, Christopher G. While all three originally saw this well out of the target demographic, this trio appreciates many things about this gateway horror film.

Christopher loves the subtle bits of filmmaking craft. Doc learns to appreciate the believable child performances. Thomas wonders if Stephen Dorff peaked to early. It's just too metal a podcast to handle. Better drape yourself in a sheet and lip sync to some demonic songs before the little demons bite your leg! A homicide, or a bad B-movie?

It's both. One of college love, space slugs and zombies from the grave. Haven't we gotten enough of those, guys? The bad news is Only depressed drunken Detective Cameron Tom Atkins can save the day while facing against demons of his past. Not a surprise, given it's a mash of sci-fi aliens, axe murdering killers and Tom Atkins dishing out one liners. A rolicking good time that goes from space to 50s Americana to the nightmarish world of mids college sex romp. It's got everything and the kitchen sink Dick Miller!

There's plenty of terror, romance and "thrill me"s to go around. To dissect all the remaining gory bits of mayhem, Doc Rotten, Christopher G. Moore and Thomas Mariani are here and hopefully the space slugs won't get them first! Shudder as Doc realizes he hasn't seen the Director's Cut ending that crept up on him upon this watch. Ponder with Thomas at the possibility of a Tom Atkins detective story comeback movie.

Of course, we don't condone irresponsible drinking. You'll be dead within the first 20 minutes. Or at least screaming like banshees! Heh heh Why are you torturing me like this? Every time someone gets stabbed in the ankle or thrown into a bookshelf, both the actor and the audience feels it.

Raimi started his illustrious career with this independent horror flick and it sure did shape where he'd go from here. There's gore, mayhem and low budget craziness abound. Might as well Basically, the foundation from which the surreal comedy would spring forth. That doesn't mean it's without merit. By no means. Sam Raimi even this early has so many dynamic camera moves that would later revolutionize blockbusters come Spider-Man.

Helps that Bruce Campbell gets the crap beat out of him. Thomas discusses the evolution of the franchise. Christopher elaborates on how big an influence Sam Raimi had on his young filmmaker mind. Doc talks about how much it created the cabin in the woods genre. Adam winces while describing how brutal Campbell's painful moments are.

Listen to find out all the details! Yet, this feature adaptation is far closer to Lovecraft than most other versions of his stories out there. One that's clamoring for a dissection right here on Decades of Horror s! Shocker that a sci-fi horror story of BDSM, goopy mutation and body unraveling wasn't a mainstream hit. Yet, one can't help but be charmed now by Dr.

Edward Pretorius Ted Sorel comes into our realm to show her. Thought the good doctor may not want the type of experimentation Dr. Pretorious is showing off. Hopefully, the pineal glands stay inside foreheads this time. Thomas starts off by giving the apt adjective of "goopy. Unfortunately, Cthulhu doesn't show up to emphasize all this horror. Instead, there's plenty of goop to talk about!

You can not stop me! I am the ninja! No one, nothing can stop me! But how will this affect her career as a telephone poll worker and part-time aerobics instructor? Ugh, it makes you just wanna doing jumping jacks with weights, amirite? Now under the possessive influence of the Black Ninja's spirit, Christie proceeds to murder each of the officers who participated in the shootout, baffling the cop who is literally sleeping with her on a nightly basis.

The only person with any kind of effectiveness is the mysterious Yamada Sho Kosugi , who arrives from Japan to get his vengeance on The Black Ninja who killed his master and left him with one eye. Ninjitsu and 80s hair ensue from here. Moore and Thomas Mariani look into this genre mashup to find a method to the madness.

There's much love for the silly manic energy that made Cannon such a unique film production company. All the bad ADR, excessive use of explosions and physics-defying martial arts are dissected here. Doc Rotten is delighted that genre favorite James Hong has a cameo. Christopher makes a strong argument for this being the most 80s film ever covered on the show. All of this and more can be shoved into your eardrums like a shuriken to the face.

That's ridiculous! They can't be bored. I haven't even started. Every college kid is wearing a different costume. The perfect claustrophobic area for a killer to hide. Can our heroine Alana Jamie Lee Curtis survive the night and get to the next stop? Take a listen to find out! Everyone was trying to take their crack at a contained low budget slasher. So, Canada figured "Why not have one take place on a train, eh? Our villain jumps from one outfit to the next in order to avoid detection.

It's a real case of misdirection with our killer Doc Rotten, Christopher G. Or perhaps, lack thereof. There are a few moments of surprise here. Mainly with how many familiar faces of the 80s pop up. And of course, magician David Copperfield. The trio also discuss the direction, the kills and of course it's place in the decade. Some are fans, others aren't. You'll just have to listen to find out who is who.

The answers may shock you. I'll never see a movie ever again. Find out as they walk through a winter wonderland free of snow. And brutally so. Perhaps this is why it failed as much as it did upon initial release. Yet, there's plenty to appreciate now as each of the hosts - Doc Rotten, Christopher G. Moore, and Thomas Mariani - take their own look back. Doc Rotten is surprised by just how many popular character actors show up.

Moore notices all the nuances of set-up and pay-off written in by Frank Darabont. To hear even more details, take a listen! Plus, you'll find out what a "bubblegum tongue" is. Or not. We're still not sure, to be honest. Congrats to Jack Torrance Jack Nicholson for being pull it off. Especially with his wife Wendy Shelley Duvall and son Danny Danny Lloyd constantly nagging him about "please don't kill us. Family, am I right? Did Stanley Kubrick's lack of faithfulness stop it from being covered on the show?

You're damn right it didn't! While the book heavily relies on knowing the madness behind Jack Torrance, Stanley Kubrick's film is more external. It shows the madness for what it is. Presenting the irrational haunts in a rational fashion. This dichotomy is what creates the conflicts of the Torrance family as they fall apart.

Moore attend the Overlook Hotel's July 4th Ball in the middle of winter. Now, some people on this crew admit they weren't huge fans of Kubrick's vision initially. There's praise all around for Kubrick's direction, Nicholson's performance and the terrifying ghosts. However, there's also some crucial questions being asked.

Could Chevy Chase have made a good Jack Torrance? Does Jack have "The Shine" like Danny? All these and more are answered, folks! Our Patreon picked episode! Do we owe our friends a skyscraper roof sunbathing session? Listen to find out!

There's the giant flying monster eating people, which is one we're all more than familiar with. Leading to a buddy cop drama where Sgt. Powell and his partner Detective Sheppard David Carradine investigate the string of ritual sacrificial murders in the wake of this creature. Meanwhile, an ex-junkie turned thief Michael Moriarty becomes seduced by the power of the titular bird and holds leverage over the city while arguing with his girlfriend Candy Clark. Needless to say, it's all over the place.

To decipher all the plots, Christopher G. Christopher is baffled by Michael Moriarty's crazed performance. Thomas praises the barrage of influences that crafted a pretty unique package. Regardless, they're all very happy that the folks at Patreon gave them an interesting film to discuss. After all, how many monster flicks have improvised jazz piano?

Because of you this hotel and this town will be cursed forever! Or whatever the hell is happening in this opening as he's covered in queso. There's a lot more emphasis on the horror of the images rather than a traditional narrative structure. It's an acquired taste. But who amongst the Decades of Horror s crew acquired this taste?

While a loose trilogy, each has a Giallo sensibility that combines bright gore with nonsensical narratives. Tarantulas bite a guy's face. A woman's face melts after being covered in acid in front of her daughter. Zombies attack for no real discernable reason. So, does this sit well with the Decades of Horror crew? Well, Doc Rotten is a tried and true Fulci fan, though he admits that the Italian legend frustrated him initially.

Moore and Thomas Mariani admit they aren't as up on their Italian horror. Christopher has some trouble with the dream logic and lack of consistency in the characters. Thomas can see that, but revels in the unintentional hilarity at play. It's a brazen frank discussion about auteur theory, gore and the grammatical errors of "Do Not Entry. Thank God you're weird. The last one was so normal, it was disgusting. Including the weirdest man of all: Tom Atkins without a mustache!

Hopefully, our intrepid hosts can avoid being sucked in the misty moors of Antonio Bay in time for the th-anniversary celebration. Or, the very least, with enough time to catch Stevie Wayne's Adrienne Barbeau late-night broadcast. Join us as the Halloween Haunts season ends! A ghost story without much gore, inst of ad using atmosphere to build up the tension rather than excessive violence that would color the slasher craze later that very year. It's an ethereal spooky example of how to build up the environment of Antonio Bay, allowing for silhouettes of the monsters to play horrific tricks on our eyes and creep us out just when it's too late.

Moore, Doc Rotten and Thomas Mariani discuss everything in the misty moors that remain unseen. They debate the effectiveness of some of these characters, how much this is a Carpenter movie and ask where the ghost of Atkins' moustache really is.

Plus, they wonder just how American Christopher Lee could possibly be. It's a spooky Halloween edition you won't want to miss! Stay in and tune the radio from Stevie Wayne's channel to hear it all! Voting ends November 5th. Clarke Randall P. Havens explains how harsh a mistress science can be to our young heroes. Luckily, our young boys can take on pretty much everything, including a horrific nightmare creature from a parallel dimension. Time to grab your Eggo waffles and settle in for a dark and stormy October night!

Yet, their friendship is already being strained by the presence of Eleven Millie Bobby Brown , both for her supernatural powers and her closeness to Mike. There's a bit of descent as to whether or not this is as strong as the first half of the season. Yet, there's unanimous agreement about many things. The kids are all still enjoyable and endearing. Our look into The Upside Down is still creepy and atmospheric.

Matthew Modine goes out like a punk. There's also the question of what the upcoming new season will hold and where we could go from here. All this and more are going to stuff your earholes to the point where you may get a nosebleed. Get this cotton balls ready! But is he really rebelling against the system or merely another cog in the machine? It's a question people often ask themselves every day with no easy answers.

Luckily, those answers can come from the most unlikely of places. Hop into your connected device and hear just how depressing the world we live in really is. The heavy horror sci-fi concept of a TV smut peddler hallucinating technology nightmares didn't seem to attract audiences at the time. Yet with time, this audacious subversion of narrative, time and culture became a cult hit that resonates even more in the ages long since Betamax was a viable platform. Well, at least for some.

Did Doc Rotten appreciate the cynical bitter pills which needed swallowing? Can Christopher G. Moore tolerate the gross-out body horror on display? Listen and find out for yourselves! After all, Hawkins is a quiet small town where not much happens. Kids ride their bikes. Adults do their jobs. Nothing tends to happen. Much like they are on this podcast. Yup, we're not covering a film. Or even something from the 80s. What type of upside down world is this?!

The October haunts season surprises us all! We follow around a bunch of suburban boys who ride their bikes and find mysterious supernatural scenarios in their small town. It's a must-see for anyone who would listen. So, why not give these first four episodes a true spotlight on a show dedicated to the era it loves so?

The three discuss the cultural phenomenon of the show and how it is more than just the popular kid in class with slicked-back hair. Look forward to a follow up on the last four episodes of the season in two weeks! Or is that a Rubix cube? We can't even tell the difference! Let the weekly October haunts season of the show begin!

A rare unflinching example of raw madness and beauty from the author behind the source material. Clive Barker may have been inexperienced, but boy did he know who to work with. It's a shame they explored it in the way they did in the sequels. Still, the first film is a true masterwork. Gorgeous effects, engaging character perspectives and one of the iconic horror villains of all time in Pin To discuss all of this, Thomas Mariani and Christopher G.

Moore welcome back Doc Rotten into the regular recording sphere to start off the weekly October haunts for ! The three discuss the unique antagonist perspective, the use of the Cenobites and the sexaul lines between pain and pleasure. It's a doozy of a discussion that'll have you spinning from the chains on the ceiling.

You may not even want to get down from there! Wanna Play? But how playful will the Grue Crew be about this particular toy phenomenon? You'll just have to see how nice our boys play. Chucky is the last of the iconic slashers from the 80s era. Coming off the heels of Freddy Kruger and Jason Voorhees, Chucky had more of a way with words like the former rather than the latter. A foul-mouthed doll that had the voice of a slimier Jack Nicholson impersonator.

He may be little, but did he pack a punch. Despite the seedy underpinnings, the two revel in the sweetness of the adorable Vincent and his struggling single mom Hicks. The two build a solid base that Chucky try to chip away at with his Good Guy hammer. There's plenty to discuss with this small package, but just you wait until that toy bursts out of its box.

Or so we assume. Caleb Cotton Adrian Pasdar is a modern hombre who gets mixed up with a group of marauders with a thirst for blood. Paxton chewing up scenery. Vampires wandering around in a mobile home. Some kick ass fire stunts. This western aesthetic creates a vast endless desert for our heroes to wander around, looking for blood to feed on as they avoid exploding in the wake of the sun.

The moment your hear those spurs coming closer, it's not a gun you have to worry about. It's the fangs that'll tear out your throat. No, for this live episode recorded at DragonCon, our boys are joined by C. Robert Cargill. These five talk this gem of a vampire film in front of a live audience, asking the big questions. Is this peak Paxton? How much of this genre fare crept into Kathryn Bigelow's Oscar material?

All these questions and more are answered in this episode! Will Louis heed these warnings? Can he recover from a major blow to his family? He demanded that director Mary Lambert and her crew stick close to his script. They're trying to raise their children and cat named Church. Unfortunately, a few members of that family die, leading Louis to attempt to bring them back via Half have read Stephen King's novel, the other half hasn't. So, one side can help the other with answers.

How much of Mike Hughes' performance is made in editing? Does Church actually eat the entire Thanksgiving feast for cats? Just don't answer the door when the zombie questions knock at it. Unless you're into having sex with them. But we ain't judging. It's a terrifying example of zombie carnage. One that still stands as a special effects achievement for Tom Savini. Some would say no. Others say it ratchets things up to the next level.

Where does this crew stand? Tune in to find out! We see the development of the zombie apocalypse from initial phases to near extinction with this trilogy. Now, humanity is stuck underground and tensions are high. Food is running low, ammunition is being stock piled and there are factions being established. All the while, scientific progress is attempting to flourish as the scientist works with Bub Sherman Howard , a zombie who shows signs of remembering his past. Thomas enlists a few people to help find this card stuck in the deck.

He loves the apocalyptic tone and brutal kills. Moore returns to the show and is less than impressed with the annoying characters and cheap look. Thomas rounds out the cast by agreeing the film deserves more praise, as the best aspects surf over the problems without much issue.

Mainly Bub as one of the stand out zombie characters of all time. Acting like a real parasite on the back, you could say. Just your average 80s "Say No To Drugs" special. You got it all; the young relatable protagonist, a drug pushing worm monster, and hallucinations that combine every drug imaginable. Frank Henenlotter's anti-drug masterpiece has gone underappreciated for nearly 30 years. But on Decades of Horror, we don't forget. We never forget.

The story of a young man getting addicted to drugs via a brain sucking parasite is pretty messed up. Especially when you become a vehicle to murder. Brains being sucked out of heads. Bizarro acting. An oral sex scene that turns into A Nightmare on Elm Street. Both go over their family bonding over a brain sucking slug. Thomas, on the other hand, is new to this one. He has plenty to say about the Reagan era drug film subversions and Zacherle's underrated voice acting.

They're all so excited, they just need a drop of Almyer's juice. Just one to tide us over, man! The innocuous entertainment. Tonally disproportionate news items. Commercials that hawk consumer products that do nothing for their customers. All of it speaks to the world we currently live in.

Luckily, Paul Verhoeven manages to slip in some ultra violence, amazing special effects and strong character work in between to make us a bit less depressed. Plus, that weird sewage mutant monster scene. He loves his family and is a cop of extreme dutiful spirit. Even after the police force becomes controlled by the corporation Omni Consumer Products, Murphy still goes by the book to help people. Even at the cost of his life at the hands of Clarence Boddecker Kurtwood Smith.

Trying to spearhead his initiative on ED, a faulty robot defense system that he wants to ship out for the millions it will bring. Yet, our heroic cop is haunted by dreams of his former life and struggles to rekindle his humanity with the help a young cop he met on his death day Anne Lewis Nancy Allen. Moore are in need of help. The four discuss what makes this work for a horror show like ours. Sure, there's plenty of science fiction and action.

But the gore and psychologically disturbing nature of Murphy is pretty terrifying in general. They all praise the performances of this incredible cast, namely Peter Weller in that suit. A horrific yet incredibly smart genre exercise. Special thanks to Neon Devils for their awesome song Bone Chillin! This one never ends. Director Brian De Palma isn't nearly as interested in a coherent story as he is the visuals.

So many elaborate split diopter shots. More than a few split screens. That weird soft focus that was a thing in the s. But none of this answers the question. Stop me if you've heard this one before. Kate Miller Angie Dickinson is distant from her partner.

While in an enclosed space, she is killed by a person dressed as a woman very early in the movie. Thus, our protagonist is gone and the rest of the film follows the investigation into her death. Yet, there are a few details that are different.

Our protagonist isn't committing a crime, but cheating on her distant husband. That enclosed space is an elevator, not a shower. And that killer is explicitly transsexual, but who could be the one Dressed to Kill? How can our new protagonist Nancy Allen live with seeing that murder? Is she going pork Kate's teenage son Pete Keith Gordon? And what does the other most prominent character Dr. Elliott Michael Caine have to do with this? To uncover the mystery, Doc Rotten, Christopher G.

Christopher admires the style over substance that made De Palma famous. Doc is conflicted about the film as a whole once Dickinson exits. Thomas just wants to know how the hell Dennis Franz lost all that hair! One that gives us plenty to examine Nor does Nancy Allen. You better watch what you say about my car. She's real sensitive. He worked hard to restore it, pretty much rebuilding it from the ground up.

Arnie doesn't appreciate when people mince words in front of her. Or worse, lay an unprovoked finger on her person. Then again, Arnie doesn't need to do a thing. And her words are deadly. Arnie is a stock nerd archetype, to the point of cramping the new found coolness of his best friend Dennis John Stockwell.

He's on the football team while Arnie is playing Scrabble with his parents. While initially a junkpile, Arnie manages to restore this junked up car to its former glory. Mainly thanks to the generosity of junk yard owner Will Darnell Robert Prosky.

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Our study confirms the feasibility of using bromeliad tanks to trace Saharan dust in the Caribbean. Saharan dust intrusions in Spain: Health impacts and associated synoptic conditions. A lot of papers have been published about the impact on mortality of Sahara dust intrusions in individual cities.

However, there is a lack of studies that analyse the impact on a country and scarcer if in addition the analysis takes into account the meteorological conditions that favour these intrusions. The main aim is to examine the effect of Saharan dust intrusions on daily mortality in different Spanish regions and to characterize the large-scale atmospheric circulation anomalies associated with such dust intrusions.

In each of these regions, a representative province was selected. A time series analysis has been performed to analyse the relationship between daily mortality and PM 10 levels in the period from The synoptic pattern is characterised by an anticyclonic ridge extending from northern Africa to the Iberian Peninsula.

Particulate matter PM on days with intrusions are associated with daily mortality, something that does not occur on days without intrusions, indicating that Saharan dust may be a risk factor for daily mortality. In other cases, what Saharan dust intrusions do is to change the PM-related mortality behaviour pattern, going from PM 2. A study such as the one conducted here, in which meteorological analysis of synoptic situations which favour Saharan dust intrusions, is combined with the effect on health at a city level, would seem to be crucial when it comes to analysing the differentiated mortality pattern in situations of Saharan dust intrusions.

All rights reserved. Seasonal provenance changes in present-day Saharan dust collected in and off Mauritania. Full Text Available Saharan dust has a crucial influence on the earth climate system and its emission, transport and deposition are intimately related to, e. The alteration in the physical and chemical properties of Saharan dust due to environmental changes is often used to reconstruct the climate of the past. However, to better interpret possible climate changes the dust source regions need to be known.

By analysing the mineralogical composition of transported or deposited dust , potential dust source areas can be inferred. In continental dust source areas, dust is also transported in the SAL; however, the predominant dust input occurs from nearby dust sources with the low-level trade winds. Hence, the source regions and related mineralogical tracers differ with season and sampling location.

To test this, dust collected in traps onshore and in oceanic sediment traps off Mauritania during to was analysed. Meteorological data, particle-size distributions, back-trajectory and mineralogical analyses were compared to derive the dust provenance and dispersal. For the onshore dust samples, the source regions varied according to the seasonal changes in trade-wind direction. Gibbsite and dolomite indicated a Western Saharan and local source during summer, while chlorite, serpentine and rutile indicated a source in Mauritania and Mali during winter.

In contrast, for the samples that were collected offshore, dust sources varied according to the seasonal change in the dust transporting air layer. In summer, dust was transported in the SAL from Mauritania, Mali and Libya as indicated by ferroglaucophane and zeolite. In winter, dust was transported with the trades from Western Sahara as indicated by, e. Forecasting the northern African dust outbreak towards Europe in April a model intercomparison. Full Text Available In the framework of the World Meteorological Organisation's Sand and Dust Storm Warning Advisory and Assessment System, we evaluated the predictions of five state-of-the-art dust forecast models during an intense Saharan dust outbreak affecting western and northern Europe in April To assess the diversity in forecast capability among the models, the analysis was extended to wind field both surface and profile, synoptic conditions, emissions and deposition fluxes.

Models predict the onset and evolution of the AOD for all analysed lead times. On average, differences among the models are larger than differences among lead times for each individual model. In spite of large differences in emission and deposition, the models present comparable skill for AOD. In general, models are better in predicting AOD than near-surface dust concentration over the Iberian Peninsula.

Models tend to underestimate the long-range transport towards northern Europe. Our analysis suggests that this is partly due to difficulties in simulating the vertical distribution dust and horizontal wind. Differences in the size distribution and wet scavenging efficiency may also account for model diversity in long-range transport. Huneeus, N. In the framework of the World Meteorological Organisation's Sand and Dust Storm Warning Advisory and Assessment System, we evaluated the predictions of five state-of-the-art dust forecast models during an intense Saharan dust outbreak affecting western and northern Europe in April To assess the diversity in forecast capability among the models, the analysis was extended to wind field both surface and profile , synoptic conditions, emissions and deposition fluxes.

The data show a robust effect of commodity price downturns on the outbreak of civil wars. We also find that Sub- Saharan countries are more likely to see civil wars following economic downturns in their main OECD export destinations. To learn more about the effect of economic conditions on civil war, we examine whether Sub- Saharan civil wars are more likely to start following downturns in the international price of countries main export commodities.

The microphysics of the Saharan dust and its implications on climate. A strong influence of Saharan dust plumes on the microphysics of cumulus clouds, especially along their long-distance transport trajectories into cloudy regions of the world, has been discussed and illustrated.

This climate-related influence is primarily based on the observed anhydrous non-hygroscopic property of the Saharan dust , otherwise known as the Harmattan dust haze in Nigeria. An observational feature of the dust -cloud interaction which is strongly climate-related is the rapid clearance of cumulus clouds on arrival of a dust plume.

This is because aeolian dust particles and water droplets cannot coexist comfortably. A useful practical application of this influence of the dust on clouds by means of atmospheric teleconnection principles for fine-weather prediction in cloudy remote regions seasonally affected by dust plumes from the Sahara, has therefore been suggested. Direct radiative effects during intense Mediterranean desert dust outbreaks.

During night-time, reverse effects of smaller magnitude are found. Although the shortwave DREs are larger than the longwave ones, the latter are comparable or even larger at TOA, particularly over the Sahara at midday. Dust outbreaks reduce the. Full Text Available This work presents a first comparative study of the Lidar Ratio LR values obtained for dust particles in two singular dust -influenced regions: the Canary Islands Spain, close to the African coast in the North Atlantic Ocean, frequently affected by Saharan dust intrusions, and the Kuwait area Arabian Peninsula as usually influenced by Arabian dust storms.

Synergetic lidar and sun-photometry measurements are carried out in two stations located in these particular regions for that purpose. Several dusty cases were observed during in both stations and, just for illustration, two specific dusty case studies have been selected and analyzed to be shown in this work. In general, mean LR values of 54 sr and 40 sr were obtained in these studies cases for Saharan and Arabian dust particles, respectively.

Indeed, these results are in agreement with other studies performed for dust particles arriving from similar desert areas. In particular, the disparity found in Saharan and Arabian dust LR values can be based on the singular composition of the suspended dust aerosols over each station.

These results can be useful for CALIPSO extinction retrievals, where a single LR value 40 sr is assumed for pure dust particles independently on the dust source region. The impact of Saharan Dust on the genesis and evolution of Hurricane Earl Dust , one of the most abundant natural aerosols, can exert substantial radiative and microphysical effects on the regional climate and has potential impacts on the genesis and intensification of tropical cyclones TCs.

The hurricane track, intensity and precipitation have been compared to the best track data and TRMM precipitation, respectively. The analysis shows that Saharan dust changes the latent heat and moisture distribution, invigorates the convections in the hurricane's eyewall, and suppresses the development of Earl.

This finding addresses the importance of accounting dust microphysics effect on hurricane predictions. The processing of such purely observational data reveals the certain seasonal patterns of dust transportation towards Europe and the Atlantic Ocean. The physical and optical properties of the dust layer are identified for several areas near the Saharan sources, over the Mediterranean and over continental Europe.

Airborne dusts from northern China contribute a significant part of the air quality problem and, to some extent, regional climatic impact in Asia during springtime. Asian dust typically originates in desert areas far from polluted urban regions. During the transport, dust layers can interact with anthropogenic sulfate and soot aerosols from heavily polluted urban areas.

Added to the complex effects of clouds and natural marine aerosols, dust particles reaching the marine environment can have drastically different properties than those from the source. Thus, understanding the unique temporal and spatial variations of Asian dust is of special importance in regional-to-global climate issues e.

The Asian dust and air pollution aerosols can be detected by its colored appearance on current Earth observing satellites e. Recently, many field campaigns e. I will present an overview of the outbreak of Asian dust storms from space and surface observations and to address the climatic effects and societal impacts. Environmental factors controlling the seasonal variability in particle sizedistribution of modern Saharan dust deposited off Cape Blanc. The particle sizes of Saharan dust in marine sediment core records have been used frequently as a proxyfor trade-wind speed.

However, there are still large uncertainties with respect to the seasonality of theparticle sizes of deposited Saharan dust off northwestern Africa and the factors influencing. Its dust is frequently emitted into the Mediterranean atmosphere and transported by the winds sometimes as far north as Central Europe.

The accumulated particles contribute to soil forming processes, while the atmospheric mineral dust has an impact on the radiation budget, cloud forming processes, the pH of precipitation and biogeochemical cycles of marine ecosystems. The PM particulate matter in ambient air does not contain only primary particles but secondary particles formed in the atmosphere from precursor gases as well. Especially these latter ones have significant negative impacts to human health.

There are in average four-five Saharan dust episodes annually in Hungary, sometimes in form of colour precipitation brown rainfall, red snow. In this study we try to reveal the suitability of the upper-air wind fields in detection of Saharan dust episodes in Central Europe. We deployed the global upper-air data base of the last 41 years that is available by courtesy of College of Engineering and Applied Sciences at University of Wyoming.

We apply this method also for tracking air pollution of vegetation fires. WRF-Chem model simulations of a dust outbreak over the central Mediterranean and comparison with multi-sensor desert dust observations. In this study, the Weather Research and Forecasting model with online coupled chemistry WRF-Chem is applied to simulate an intense Saharan dust outbreak event that took place over the Mediterranean in May Comparison of a simulation using a physics-based desert dust emission scheme with a numerical experiment using a simplified minimal emission scheme is included to highlight the advantages of the former.

The model was found to reproduce well the synoptic meteorological conditions driving the dust outbreak : an omega-like pressure configuration associated with a cyclogenesis in the Atlantic coasts of Spain. The model performances in reproducing the atmospheric desert dust load were evaluated using a multi-platform observational dataset of aerosol and desert dust properties, including optical properties from satellite and ground-based sun photometers and lidars, plus in situ particulate matter mass concentration PM data.

This comparison allowed us to investigate the model ability in reproducing both the horizontal and the vertical displacement of the dust plume, as well as its evolution in time. On the vertical scale, the comparison with lidar data at a single site Rome, Italy confirms that the desert dust advection occurs in several, superimposed "pulses" as simulated by the model.

Cross-analysis of the modeled AOD and desert dust emission fluxes further allowed for the source regions of the observed plumes to be inferred. The model-measurement comparison for PM10 and PM2. Particle size traces modern Saharan dust transport and deposition across the equatorial North Atlantic. Full Text Available Mineral dust has a large impact on regional and global climate, depending on its particle size. Especially in the Atlantic Ocean downwind of the Sahara, the largest dust source on earth, the effects can be substantial but are poorly understood.

We show that the particle size decreases downwind with increased distance from the Saharan source, due to higher gravitational settling velocities of coarse particles in the atmosphere. This is much coarser than previously suggested and incorporated into climate models. In addition, seasonal changes are prominent, with coarser dust in summer and finer dust in winter and spring. Such seasonal changes are caused by transport at higher altitudes and at greater wind velocities during summer than in winter.

Also, the latitudinal migration of the dust cloud, associated with the Intertropical Convergence Zone, causes seasonal differences in deposition as the summer dust cloud is located more to the north and more directly above the sampled transect. Furthermore, increased precipitation and more frequent dust storms in summer coincide with coarser dust deposition. Our findings contribute to understanding Saharan dust transport and deposition relevant for the interpretation of sedimentary records for climate reconstructions, as well as for global and regional models for improved prediction of future climate.

This study focuses on the atmospheric temperature response to dust deduced from a new source of data - the European Reanalysis ERA increments. These increments are the systematic errors of global climate models, generated in reanalysis procedure. The model errors result not only from the lack of desert dust but also from a complex combination of many kinds of model errors.

Over the Sahara desert the dust radiative effect is believed to be a predominant model defect which should significantly affect the increments. This dust effect was examined by considering correlation between the increments and remotely-sensed dust. Comparisons were made between April temporal variations of the ERA analysis increments and the variations of the Total Ozone Mapping Spectrometer aerosol index AI between and For other months the analysis is more complicated because of the essential increasing of humidity along with the northward progress of the ITCZ and the significant impact on the increments.

Boose, Y. During summer, the observatory is frequently within the Saharan Air Layer and thus often exposed to dust. In this study, we discuss the in-situ measured INP properties with respect to changes in the chemical composition, the biological content, the source regions as well as transport pathways and thus aging processes of the dust aerosol. For the first time, ice crystal residues were also analyzed with regard to biological content by means of their autofluorescence signal close to a major dust source region.

Airborne dust samples were collected with a cyclone for additional offline analysis in the laboratory under similar conditions as in the field. Both, in-situ and offline dust samples were chemically characterized using single-particle mass spectrometry.

The DREAM8 dust model extended with dust mineral fractions was run to simulate meteorological and dust aerosol conditions for ice nucleation. Differences in the ice-activated fraction were found between different dust periods which seem to be linked to variations in the aerosol chemical composition dust mixed with changing fractions of sea salt and differences in the dust aerosol itself. Furthermore, two biomass burning events in were identified which led to very low INP concentrations under the investigated temperature and relative humidity.

Saharan dust nutrients promote Vibrio bloom formation in marine surface waters. Vibrio is a ubiquitous genus of marine bacteria, typically comprising a small fraction of the total microbial community in surface waters, but capable of becoming a dominant taxon in response to poorly characterized factors. Iron Fe , often restricted by limited bioavailability and low external supply, is an essential micronutrient that can limit Vibrio growth.

Vibrio species have robust metabolic capabilities and an array of Fe-acquisition mechanisms, and are able to respond rapidly to nutrient influx, yet Vibrio response to environmental pulses of Fe remains uncharacterized. Here we examined the population growth of Vibrio after natural and simulated pulses of atmospherically transported Saharan dust , an important and episodic source of Fe to tropical marine waters.

As a model for opportunistic bacterial heterotrophs, we demonstrated that Vibrio proliferate in response to a broad range of dust -Fe additions at rapid timescales. Within 24 h of exposure, strains of Vibrio cholerae and Vibrio alginolyticus were able to directly use Saharan dust -Fe to support rapid growth. These findings were also confirmed with in situ field studies; arrival of Saharan dust in the Caribbean and subtropical Atlantic coincided with high levels of dissolved Fe, followed by up to a fold increase of culturable Vibrio over background levels within 24 h.

This study, to our knowledge, is the first to describe Vibrio response to Saharan dust nutrients, having implications at the intersection of marine ecology, Fe biogeochemistry, and both human and environmental health. Aerosol iron was examined in Saharan dust plumes using a combination of iron near-edge X-ray absorption spectroscopy and wet-chemical techniques. Aerosol samples were collected at three sites located in the Mediterranean, the Atlantic, and Bermuda to characterize iron at different atmospheric transport lengths and time scales.

Iron III oxides were a component of aerosols at all sampling sites and dominated the aerosol iron in Mediterranean samples. With increased atmospheric transport time, iron II sulfates are found to become more abundant, aerosol iron oxidation state became more reduced, and aerosol acidity increased. Atmospheric processing including acidic reactions and photoreduction likely influence the form of iron minerals and oxidation state in Saharan dust aerosols and contribute to increases in aerosol-iron solubility.

Gobbi, G. The contribution of Saharan-dust advections to both daily and annual PM average values can be significant all over Southern Europe. The most important effects of dust on the number of PM exceedances are mostly observed in polluted areas and large cities. While a wide literature exists documenting episodes of Saharan dust transport towards the Euro-Mediterranean region and Europe in general, a limited number of studies are still available providing statistically significant results on the impact of Saharan dust on the particulate matter loads over the continent.

Although the European legislation allows Member States to subtract the contribution of natural sources before counting PM10 exceedances, definition of an optimal methodology to quantitatively assess such contribution is still in progress.

To this end, in addition to satellite-based data and model forecasts, the DIAPASON methodology will employ innovative and affordable technologies, partly prototyped within the project itself, as an operational Polarization Lidar-Ceilometer laser radar capable of detecting and profiling dust clouds from the ground up to 10 km altitude.

In the January-June period, this dust transport is mainly caused by cyclonic activity over the West or South of Portugal, whereas in the summer period this is induced by anticyclonic activity over the East or Southeast Iberian Peninsula. In rural areas in Southern Spain, the Saharan dust events accounts for annual daily exceedances of the PM10 limit value, a high number when compared with the forthcoming EU standard, which states that the limit value cannot be exceeded more than 7 days per year.

The proportion of Sahara-induced exceedances with respect to the total annual exceedances is discussed for rural, urban and industrial sites in Southern Spain. Exploring records of Saharan dust transport and hurricanes in the Caribbean and Gulf of Mexico over recent millennia. Locations in the northern Caribbean and Gulf of Mexico receive aerosol deposition from the summertime Saharan dust plume that is representative of atmospheric conditions over a very large expanse of the North Atlantic Ocean.

A recent reconstruction of stable dust deposition in the Bahamas over the past 2 thousand years contrasts other records from the African continent which were impacted by local anthropogenic emissions. Dust deposition in the Bahamas also appeared relatively insensitive to expected changes in intertropical convergence zone position.

Here, we will investigate records of Atlantic hurricane activity and Saharan dust transport, parameters which are anti-correlated today, in the Caribbean and Gulf region over the past few thousand years to further probe possible variations in Saharan dust forcings on Atlantic climate. Impacts of Saharan dust on downward irradiance and photosynthetically available radiation in the water column.

Full Text Available A semi-empirical approach was used to quantify the modification of the underwater light field in amplitude magnitude effect and spectral distribution spectral effect by different atmospheric conditions altering the incident light. The approach based on an optical model in connection with radiation measurements in the area off Northwest Africa.

Key inputs of the model were parameterized magnitude and spectral effects. Various atmospheric conditions were considered: clear sky, dusty sky without clouds, cloudy sky without dust and skies with different ratios of dust and clouds. Their impacts were investigated concerning the modification of the downward irradiance and photosynthetically available radiation in the water column. The impact on downward irradiance depended on the wavelength, the water depth, the optical water properties, the dust and cloud properties, and the ratio of clouds to dust.

The influence of clouds on the amplitude can be much higher than that of dust. Saharan dust reduced the photosynthetically available radiation in the water column. Ocean regions were more influenced than coastal areas. Compensations of the magnitude and spectral effects were observed at special water depths in ocean regions and at atmospheric conditions with definite cloud to dust ratios.

This study indicates that radiatively interactive dust aerosols have the capability to modify the exchange of kinetic energy between the AEWs and AEJ. We find that while dust can have both constructive and destructive effects on eddy activity of the waves, depending on the behavior and structure of waves exhibiting different characteristic time-scales, the local heating by dust tends to change the quadruple pattern of eddy momentum fluxes of the AEWs which can yield feedbacks onto the mean-flow.

Sensitivity studies indicate that the results are consistent when the analysis is performed with multiple different aerosol datasets. While the mechanisms proposed here require further evaluation with numerical model experiments, this study presents a novel approach and new insights into Saharan dust effects on large-scale climate dynamics. Airborne transport of Saharan dust to the Mediterranean and to the Atlantic. Pericleous, K. Forward and reverse receptor modes were used to confirm the discovery of conflicting emission sources.

Outputs were compared with satellite images and receptor data from multiple ground-based sites. The emission model used to simulate dust emissions caused in a Sahara dust storm was based on the concept that threshold friction velocity was dependent on surface roughness.

Case studies were presented for various Saharan dust episodes in the studied regions. Results of the study showed that the model accurately characterized sand entrainment in the atmosphere due to wind shear. It was concluded that coupled with advanced weather forecasting, the model can be used to predict the onset of desert dust storms well before their effects are felt.

Bangert, M. We investigated the impact of mineral dust particles on clouds, radiation and atmospheric state during a strong Saharan dust event over Europe in May , applying a comprehensive online-coupled regional model framework that explicitly treats particle-microphysics and chemical composition. Sophisticated parameterizations for aerosol activation and ice nucleation, together with two-moment cloud microphysics are used to calculate the interaction of the different particles with clouds depending on their physical and chemical properties.

The impact of dust on cloud droplet number concentration was found to be low, with just a slight increase in cloud droplet number concentration for both uncoated and coated dust. For temperatures lower than the level of homogeneous freezing, no significant impact of dust on the number and mass concentration of ice crystals was found, though the concentration of frozen dust particles reached up to l-1 during the ice nucleation events.

Mineral dust particles were found to have the largest impact on clouds in a temperature range between freezing level and the level of homogeneous freezing, where they determined the number concentration of ice crystals due to efficient heterogeneous freezing of the dust particles and modified the glaciation of mixed phase clouds. Our simulations show that during the dust events, ice crystals concentrations were increased twofold in this temperature range compared to if dust interactions are neglected.

This had a significant impact on the cloud optical properties, causing a reduction in the incoming short-wave radiation at the surface up to Wm The strong radiative forcings associated with dust caused a reduction in surface temperature in the order of Saharan dust event impacts on cloud formation and radiation over Western Europe. Full Text Available We investigated the impact of mineral dust particles on clouds, radiation and atmospheric state during a strong Saharan dust event over Europe in May , applying a comprehensive online-coupled regional model framework that explicitly treats particle microphysics and chemical composition.

A long Saharan dust event over the western Mediterranean: Lidar, Sun photometer observations, and regional dust modeling. A long Saharan dust event affected the western Mediterranean in the period June A more detailed bin method is implemented, and two different dust distributions at sources are compared to the operational version.

Evaluations are performed at two wavelengths and nm. When evaluating the modeled aerosol optical depth AOD against Sun photometer data, significant improvements are achieved with the use of the new detailed bin method. Avignon shows higher influence of small anthropogenic aerosols which explains the better results of the model at the wavelength of nm over this location. Better model results are obtained when comparing to lidar because most of the anthropogenic effect is removed.

Remoundaki, E. The influence of Saharan dust on the air quality of Southern European big cities became a priority during the last decade. Simultaneous maxima have been observed for the elements of crustal origin. The concentrations of all the elements presented a common maximum, corresponding to the date where the atmosphere was heavily charged with particulate matter permanently for an interval of about 10 h.

Sulfur and heavy metal concentrations were also associated to local emissions. Seven days back trajectories have shown that the air masses arriving over Athens, originated from Western Sahara. Scanning Electron Microscopy coupled with Energy Dispersive X-ray analysis SEM-EDX revealed that particle agglomerates were abundant, most of them having sizes dust particles also rich in calcium which was distributed between calcite, dolomite, gypsum and Ca-Si particles.

These results were consistent with the origin of the dust particles and the elemental composition results. Sulfur and heavy metals were associated to very fine particles Saharan dust in PM10 levels at an urban site. PM10 composition during an intense Saharan dust transport event over Athens Greece. The present study reports results on PM 10 monitored at an urban site at 14 m above ground level during an intense Saharan dust transport event. The responses of the atmospheric water cycle and climate of West Africa and the Atlantic to radiative forcing of Saharan dust are studied using the NASA finite volume general circulation model fvGCM , coupled to a mixed layer ocean.

We find evidence in support of the "elevated heat pump" EHP mechanism that underlines the responses of the atmospheric water cycle to dust forcing as follow. Shortwave radiation absorption by dust warms the atmosphere and cools the surface, while long wave has the opposite response. The elevated dust layer warms the air over Nest Africa and the eastern Atlantic.

The response also includes a strengthening of the West African monsoon, manifested in northward shift of the West Africa precipitation over land, increased low-level westerlies flow over West Africa at the southern edge of the dust layer, and a near surface energy fluxes, resulting in cooling of the Nest African land and the eastern Atlantic, and a warming in the West Atlantic and Caribbean. The EHP effect is most effective for moderate to highly absorbing dusts , and becomes minimized for reflecting dust with single scattering albedo at 0.

The surface waters of the Mediterranean Sea are extremely poor in the nutrients necessary for plankton growth. At the same time, the Mediterranean Sea borders with the largest and most active desert areas in the world and the atmosphere over the basin is subject to frequent injections of mineral dust particles. We describe statistical correlations between dust deposition over the Mediterranean Sea and surface chlorophyll concentrations at ecological time scales.

Most of the statistically significant correlations are positive with main effects in spring over the Eastern and Central Mediterranean, conforming to a view of dust events fueling needed nutrients to the planktonic community. Some areas show negative effects of dust deposition on chlorophyll, coinciding with regions under a large influence of aerosols from European origin. The influence of dust deposition on chlorophyll dynamics may become larger in future scenarios of increased aridity and shallowing of the mixed layer.

Characterization of synoptic patterns causing dust outbreaks that affect the Arabian Peninsula. Dust storms pose serious weather hazards in arid and semiarid regions of the earth. Understanding the main synoptic conditions that give rise to dust outbreaks is important for issuing forecasts and warnings to the public in cases of severe storms. The aim of the present study is to determine synoptic patterns that are associated with or even favor dust outbreaks over the Arabian Peninsula. In this respect, red-green-blue dust composite images from the Meteosat Second Generation MSG satellite are used to detect dust outbreaks affecting the Arabian Peninsula, with possible influences in southwestern Asia and northeastern Africa, between and The Meteosat imagery yielded a sample of 95 dust storm days.

Using principal component analysis in T-mode and non-hierarchical k-means clustering, we obtained four major atmospheric circulation patterns associated with dust outbreaks during the study days. Cluster 4 had the largest number of days with dust events, which were constrained to summer, and cluster 3 had the fewest. In clusters 1, 2 and 3, the jet stream favored the entry of a low-pressure area or trough that varied in location between the three clusters.

Their most northerly location was found in cluster 4, along with an extensive low-pressure area supporting strong winds over the Arabian Peninsula. The spatial distribution of aerosol optical depth for each cluster obtained was characterized using the Moderate Resolution Imaging Spectroradiometer data. The uptake of SO2 on Saharan dust : a flow tube study. Full Text Available The uptake of SO2 onto Saharan mineral dust from the Cape Verde Islands was investigated using a coated wall flow tube coupled to a mass spectrometer.

The rate of loss of SO2 to the dust coating was measured and uptake coefficients were determined using the measured BET surface area of the sample. The uptake of SO2, with an initial concentration between xmolecule cm-3 0. The amount of SO2 adsorbed on the dust samples was measured over a range of SO2 concentrations and mineral dust loadings. The initial uptake and the amount of SO2 taken up per unit area of BET dust surface was the same within error, irrespective of the conditions used; however the presence of ozone reduced the amount of SO2 released back into the gas-phase per unit area once exposure of the surface ended.

Multiple uptakes to the same surface revealed a loss of surface reactivity, which did not return if the samples were exposed to gas-phase water, or left under vacuum overnight. A mechanism which accounts for the observed uptake behaviour is proposed and numerically modelled, allowing quantitative estimates of the rate and amount of SO2 removal in the atmosphere to be estimated. Removal of SO2 by mineral dust is predicted to be significant at high dust loadings.

Saharan dust - a carrier of persistent organic pollutants, metals and microbes to the Caribbean? Full Text Available An international team of scientists from government agencies and universities in the United States, U. Preliminary findings show that air samples from Mali contain a greater number of pesticides, polychlorinated biphenyls PCBs and polycyclic aromatic hydrocarbons PAHs and in higher concentrations than the Caribbean sites.

Trace metal concentrations were found to be similar to crustal composition with slight enrichment of lead in Mali. The sea fan pathogen, Aspergillus sydowii, has been identified in soil from Mali and in air samples from dust events in the Caribbean. We have shown that air samples from a dust -source region contain orders of magnitude more cultureable micro-organisms per volume than air samples from dust events in the Caribbean, which in turn contain 3-to 4-fold more cultureable microbes than during non- dust conditions.

Epub Jan. Saharan dust particles in snow samples of Alps and Apennines during an exceptional event of transboundary air pollution. Southern European countries are often affected in summer by transboundary air pollution from Saharan dust. However, very few studies deal with Saharan dust pollution at high altitudes in winter. In Italy, the exceptional event occurred on February 19, , colored in red the entire mountain range Alps and Apennines and allowed to characterize the particulate matter deposited on snow from a morphological and chemical point of view.

Snow samples were collected after this event in four areas in the Alps and one in the Apennines. These analyses confirmed the presence of Saharan dust particle components in all areas with similar percentages, supported also by the positive correlations between Mg-Ca, Al-Ca, Al-Mg, and Al-K in all samples. Garrison, Virginia H. Anthropogenic semivolatile organic compounds SOCs that persist in the environment, bioaccumulate, are toxic at low concentrations, and undergo long-range atmospheric transport LRT were identified and quantified in the atmosphere of a Saharan dust source region Mali and during Saharan dust incursions at downwind sites in the eastern Caribbean U.

More organochlorine and organophosphate pesticides OCPPs , polycyclic aromatic hydrocarbons PAHs , and polychlorinated biphenyl PCB congeners were detected in the Saharan dust region than at downwind sites. Seven of the 13 OCPPs detected occurred at all sites: chlordanes, chlorpyrifos, dacthal, dieldrin, endosulfans, hexachlorobenzene HCB , and trifluralin. Total SOCs ranged from 1. Most SOC concentrations were 1—3 orders of magnitude higher in source than downwind sites.

A Saharan source was confirmed for sampled air masses at downwind sites based on dust particle elemental composition and rare earth ratios, atmospheric back trajectory models, and field observations. Long-term effects of chronic exposure to low concentrations of SOCs are unknown, as are possible additive or synergistic effects of mixtures of SOCs, biologically active trace metals, and mineral dust particles transported together in Saharan dust air masses.

Integrated spatiotemporal characterization of dust sources and outbreaks in Central and East Asia. The potential of atmospheric dust aerosols to modify the Earth's environment and climate has been recognized for some time. However, predicting the diverse impact of dust has several significant challenges. One is to quantify the complex spatial and temporal variability of dust burden in the atmosphere. Another is to quantify the fraction of dust originating from human-made sources.

This thesis focuses on the spatiotemporal characterization of sources and dust outbreaks in Central and East Asia by integrating ground-based data, satellite multisensor observations, and modeling. A new regional dust modeling system capable of operating over a span of scales was developed.

The modeling system was used to perform for the first time a comprehensive study of the timing, duration, and intensity of individual dust events in Central and East Asia. Determining the uncertainties caused by the choice of model physics, especially the boundary layer parameterization, and the dust production scheme was the focus of our study. Implications to assessments of the anthropogenic dust fraction in these regions were also addressed.

Focusing on Spring , an analysis of routine surface meteorological observations and satellite multi-sensor data was carried out in conjunction with modeling to determine the extent to which integrated data set can be used to characterize the spatiotemporal distribution of dust plumes at a range of temporal scales, addressing the active dust sources in China and Mongolia, mid-range transport and trans-Pacific, long-range transport of dust outbreaks on a case-by-case basis.

This work demonstrates that adequate and consistent characterization of individual dust events is central to establishing a reliable. When conditions deviate from typical, the errors are larger. Typically, the atmosphere in this region is moist and these conditions are represented in the coefficients of the NLSST algorithm. During SAL events, moist air is replaced by a layer of very dry air; the established coefficients are no longer representative. Soluble iron nutrients in Saharan dust over the central Amazon rainforest.

Rizzolo, Joana A. The intercontinental transport of aerosols from the Sahara desert plays a significant role in nutrient cycles in the Amazon rainforest, since it carries many types of minerals to these otherwise low-fertility lands. Iron is one of the micronutrients essential for plant growth, and its long-range transport might be an important source for the iron-limited Amazon rainforest.

This study assesses the bioavailability of iron Fe II and Fe III in the particulate matter over the Amazon forest, which was transported from the Sahara desert for the sake of our discussion, this term also includes the Sahel region. Measurements reached peak concentrations for soluble Fe III 48 ng m-3 , Fe II 16 ng m-3 , Na ng m-3 , Ca ng m-3 , K 65 ng m-3 , and Mg 89 ng m-3 during a time period of dust transport from the Sahara, as confirmed by ground-based and satellite remote sensing data and air mass backward trajectories.

Atmospheric transport of weathered Saharan dust , followed by surface deposition, resulted in substantial iron bioavailability across the rainforest canopy. The seasonal deposition of dust , rich in soluble iron, and other minerals is likely to assist both bacteria and fungi within the topsoil and on canopy surfaces, and especially benefit highly bioabsorbent species. In this scenario, Saharan dust can provide essential macronutrients and micronutrients to plant roots, and also directly to plant leaves.

The influence of this input on the ecology of the forest canopy and topsoil is discussed, and we argue that this influence would likely be different from that of nutrients from the weathered Amazon bedrock, which otherwise provides the. Environmental impacts on human health during a Saharan dust episode at Crete Island, Greece. Nastos, P. Meteorological Inst. The objective of this study is to examine the synergistic environmental impacts thermal bioclimatic conditions and air quality due to particulate pollution with cardiovascular and respiratory syndromes, in Heraklion in the northern part of Crete Island, during a Saharan dust episode on March , Daily counts of admissions for cardiovascular and respiratory syndromes were obtained from the two main hospitals in Heraklion.

The corresponding daily meteorological parameters, such as maximum and minimum air temperature, relative humidity, wind speed and cloud cover, from the meteorological station of Heraklion Hellenic National Meteorological Service , were processed in order to estimate and analyze the bioclimatic conditions expressed by the Physiologically Equivalent Temperature PET , which is based on the energy balance models of the human body.

According to the analysis, this is due to the existence of coarse-mode particles along the dust pathway, which. Role of clay minerals in the formation of atmospheric aggregates of Saharan dust. Saharan dust can travel long distances in different directions across the Atlantic and Europe, sometimes in episodes of high dust concentration.

These aerosol aggregates are an interesting phenomenon resulting from the interaction of mineral aerosols and atmospheric conditions. They have been termed "iberulites" due to their discovery and description from aerosol deposits in the Iberian Peninsula. Here, these aggregates are further investigated, in particular the role of the clay minerals in the aggregation process of aerosol particles. Iberulites, and common aerosol particles for reference, were studied from the following periods or single dust events and locations: June in Tenerife, Canary Islands; June to August , Granada, Spain; August , Granada; and June , Granada.

The mineral composition and structure of the iberulites consists of quartz, carbonate and feldspar grains surrounded by a matrix of clay minerals illite, smectite and kaolinite that also surrounds the entire aggregate. Minor phases, also distributed homogenously within the iberulites, are sulfates and Fe oxides. Clays are apparently more abundant in the iberulites than in the total aerosol deposit, suggesting that iberulite formation concentrates clays.

Details of the structure and composition of iberulites differ from descriptions of previous samples, which indicates dependence on dust sources and atmospheric conditions, possibly including anthropic activity. Iberulites are formed by coalescence of aerosol mineral particles captured by precursor water droplets.

The concentration of. Therefore, knowing the state of the atmosphere, and more specifically the level of incident radiation, is essential operational information to adapt the electricity production system to atmospheric conditions.

A Holocene increase of Saharan dust input to the area of the Canary islands is accompanied by a strong coarsening of this material during the Early Holocene as recorded in loess-like sediments deposited on Lanzarote. Whereas natural causes can be ruled out for the coarsening that is exceptional during the period of the last ka, it is assumed that anthropogenic activity strongly mobilized dust in an area on the pathway of dust prior to its arrival in Lanzarote comprising parts of Western Sahara and northern Mauritania.

Although scarce archaeological data from the coastal area of that region do not point to strong anthropogenic activity during the Early Holocene yet, a high density of unexplored archaeological remains reported from the coastal hinterlands does not exclude this hypothesis. Thus, the results of this study highlight the need of further archaeological investigations in that Saharan region.

Direct radiative effects induced by intense desert dust outbreaks over the broader Mediterranean basin. Throughout the year, under favorable conditions, massive loads of mineral particles originating in the northern African and Middle East deserts are transported over the Mediterranean basin. Due to their composition and size, dust aerosols perturb the Earth-Atmosphere system's energy budget interacting directly with the shortwave SW and longwave LW radiation. The present study aims to compute the Mediterranean dust outbreaks ' direct radiative effects DREs as well as to assess the effect of including dust DREs in numerical simulations of a regional model.

To this aim, 20 intense dust outbreaks have been selected based on their spatial coverage and intensity. The simulation domain covers the northern Africa, the Middle East and Europe at 0. Inhalable desert dust , urban emissions, and potentially biotoxic metals in urban Saharan -Sahelian air.

Saharan dust incursions and particulates emitted from human activities degrade air quality throughout West Africa, especially in the rapidly expanding urban centers in the region. Particulate matter PM that can be inhaled is strongly associated with increased incidence of and mortality from cardiovascular and respiratory diseases and cancer. Mean concentrations were 1. The findings indicate that inhalable PM in the Sahara—Sahel region may present a threat to human health, especially in urban areas with greater inhalable PM and transition metal exposure.

A Test Using Radiogenic Isotopes. Andreae, M. Previous studies have shown that Saharan dust transport across the Atlantic acts as an important source of mineral nutrients to the Amazon rainforest. The Belterra Clay, which outcrops extensively across the Amazon Basin in Brazil, has been proposed to result from dry deposition of African dusts.

Radiogenic isotope systems are powerful tracers of provenance and can be used to fingerprint dust sources and atmospheric transport patterns. Our results identify distinct isotopic signatures in the Belterra Clay samples and the African sources. The Belterra Clay display radiogenic Sr and Pb isotope ratios associated with non-radiogenic Nd isotope signatures. Our data show unambiguously that the Belterra Clay is not derived from African dust deposition, nor from the Andean chain, as originally suggested by W.

Rather, isotopic compositions and Nd model ages are consistent with simple mixing of Archean and younger Proterozoic terranes within the Amazon Basin as a result of weathering and erosion under humid tropical conditions. Whether Saharan dusts contribute to the fertilization in the Amazon Basin cannot be ruled out, however, since the African dust isotopic signature is expected to be entirely overprinted by local sources.

Radiogenic isotope data obtained on. Full Text Available In this study, the influence of an extraordinary Saharan dust episode over Turkey on 23—24 March and the atmospheric conditions that triggered this event were evaluated in detail. On 23 March , high southwesterly winds due to the interaction between surface low- and high-pressure centers over Italy and Levant basin brought thick dust particles from Libya to Turkey.

The daily PM10 data from 43 stations exceeded their long-term spring means over Turkey especially at the northern and western stations. As a consequence of the longitudinal movement of the surface low from Italy to the Balkan Peninsula, and the quasi-stationary conditions of the surface high-pressure center allowed for the penetration of strong south and southwesterly winds to inner parts of the country on the following day.

An increased risk for cholera was witnessed during both droughts and floods in sub- Saharan Africa; these findings call for increased preparedness and surveillance during droughts in addition to floods. Cholera outbreaks in Africa have been attributed to both droughts and floods, but whether Database www. A cholera outbreak was registered in one of every three droughts and one of every 15 floods.

Periodic input of dust over the Eastern Carpathians during the Holocene linked with Saharan desertification and human impact. Reconstructions of dust flux have been used to produce valuable global records of changes in atmospheric circulation and aridity. These studies have highlighted the importance of atmospheric dust in marine and terrestrial biogeochemistry and nutrient cycling.

By investigating a 10 year-long paleoclimate archive from the Eastern Carpathians Romania we present the first peat record of changing dust deposition over the Holocene for the Carpathian-Balkan region. Using qualitative X-ray fluorescence XRF core scanning and quantitative inductively coupled plasma optical emission spectrometer ICP-OES measurements of lithogenic K, Si, Ti elements, we identify 10 periods of major dust deposition between , , , , , , , , , and 60 cal yr BP to present.

In addition, we used testate amoeba assemblages preserved within the peat to infer local palaeohydroclimatic conditions. Our record highlights several discrepancies between eastern and western European dust depositional records and the impact of highly complex hydrological regimes in the Carpathian region.

Chad sees the first two Hellraiser movies as one story and loves how Hellbound: Hellraiser II features the Cenobites more prominently and delves a little into their background. Moore, and Doc Rotten. Check it out! The film for their next episode is Burial Ground , chosen by Chad, … and you know what that means. A renegade doctor is shot dead and entombed with his fiendish experiments in the basement of an abandoned wing of a mental hospital.

Twenty years later, a mysterious woman is admitted with amnesia, and her arrival is marked by an earthquake - which cracks the seal to the Dead Pit, freeing the evil doctor to continue his work. Your Decades of Horror s Grue-Crew is very fortunate to be joined this episode by special effects artist Ed Martinez, the director of special effects for The Dead Pit. Ed and the Grue-Crew talk everything from special effects to Jeremy Slate to director Brett Leonard to stories from the set.

The Dead Pit features beau coup special effects including, but not limited to, a dentist drill to an eye, an exploding water tower, needles to the brain, melting zombies, and more zombies than you can count. Decades of Horror s Episode — Brain Damage One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.

Now that an uncut version is available, it is pretty obvious why certain scenes were cut. Yes, Doc nixed the image of one of the cut scenes and rightly so, but your Grue-Crew describes the scene in eye-popping detail. Each of the s Grue-Crew recommends Brain Damage as a unique, hallucinatory cinematic trip.

You can also check it out as a Blu ray from Arrow. In , when the U. Crystal proposes Zac Efron to play Snake if there is ever a remake and one of her crewmates even agrees with her. Decades of Horror s Episode — Trick or Treat A bullied teenage boy is devastated after the death of his heavy metal idol, Sammi Curr.

But as Hallowe'en night approaches, he discovers that he may be the only one who can stop Sammi from making a Satanic comeback from beyond the grave. Your Decades of Horror s Grue-Crew is joined on this episode by special effects artist Ralph Miller whom Grue-Believers will remember from his interview in episode It seemed only natural to invite him back for this episode and he was so kind as to accept our invitation.

In fact, he saw it several times in a theater. Bill wonders where the heck the teachers are in the high school featured in this film. The film was shot in North Carolina and John T. You should be able to see Paul lurking in the stacks during a chase scene through the school library. As of this writing, it is available on YouTube.

Keep your fingers crossed for a future US release on Blu ray. In this episode, Miller discusses his experiences as a member of the special effects crews with your Decades of Horror s Grue-Crew on the following films:. Miller recounts the path he follows leading to his first professional effects gig working with the large crew of special effects artists on Gremlins , led by legendary filmmakers Stephen Spielberg and Joe Dante.

He talks freely about the mistakes he made on films, giving Grue-Believers an inside look into the process of filmmaking, and is quick to point out that he was one of many and to give credit to his supervisors and his colleagues. Finally, Miller is very open about his reason for leaving the industry and ways in which he still exercises his creativity.

The 80s Grue-Crew had so much fun with Special Effects Artist Ralph Miller III on this episode that they invited him to join them again in the next episode because - surprise, surprise - he served as a special makeup assistant on Trick or Treat. This must be a Wes Craven movie! An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people into zombies.

For the second time in three episodes, the Decades of Horror s Grue-Crew covers a film with major voodoo connections See Episode - Angel Heart , Johnny Smith wakes from a coma, only to find he has lost five years of his life since his car accident, and yet gained psychic powers. Foreseeing the future appears to be a 'gift' at first, but ends up causing problems Crystal is all about Christopher Walken and she throws Brooke Adams some praise as well.

Decades of Horror s Episode — Angel Heart Harry Angel, a private investigator, is hired by a man who calls himself Louis Cyphre to track down a singer named Johnny Favorite. But the investigation takes an unexpected and somber turn. Bill keeps on about the not-so-subtle names of the characters but appreciates the acting and the look of the film.

Lisa Bonet is the star attraction for Crystal but she laments the predictability of the story. Your 70s Grue-Crew also gets into the development of the film which includes names like John Frankenheimer and Robert Redford. Despite their poking some fun at this film, your Grue-Crew recommends it for the setpieces, the acting, and the neo-noir look of the film.

You see, due to a technical glitch, everyone sounded like Killer Klowns on the first go-around so they had to record this episode a second time. They got a little slap-happy in the process and, well, they now know whether or not Crystal likes ice cream.

At any rate, they do get to Killer Klowns from Outer Space and reach a quick, unanimous consensus: they love it! Jeff was the Killer Klowns virgin of the crew, but he got so excited after their first attempt at recording the episode, he purchased the Blu ray and took a dive into the extras.

This was indeed a great pick by Crystal and she recounts exactly why she loves it so much. Bill is impressed with the practical effects and sympathizes with the problems that had to be dealt with while filming something like Killer Klowns from Outer Space that seems to be a creation like no other. From Chad, we learn about yet another childhood fear of his. At this writing, it is available to stream and on a fine Arrow Video Blu ray.

In episode , the 80s Grue-Crew will take a broom to Street Trash Oh yes, they will. But wear a damn rubber! Everybody's got the damn herpes these days! Decades of Horror s Episode — Creepshow Mohr and Dave Dreher on episode 94 in October When a movie is directed by George A. Marshall; do you need to know anything else? Neither did the Decades of Horror s Grue-Crew. Decades of Horror s Episode — Humanoids from the Deep Scientific experiments backfire and produce horrific mutations - half man, half fish - which terrorize a small fishing village by killing the men and raping the women.

What can you say? Chad, however, explains that Humanoids from the Deep is a pure s horror film and must be viewed as a product of its time and the rest of the Grue-Crew agree. Crystal wonders why there are no female humanoids and questions the science behind the science fiction.

Stupid quotes from the film get Jeff going but he manages to stop giggling long enough to point out the involvement of James Horner, an Academy Award-winning composer. If you like Roger Corman and you like your 80s horror sans any resemblance of political correctness, Humanoids from the Deep should be just the entree to satisfy your appetite. They want to hear from you — the coolest, grooviest fans! Leave them a message or leave a comment on the site or email the Decades of Horror s podcast hosts at feedback gruesomemagazine.

Decades of Horror s Episode — The Thing A research team in Antarctica is hunted by a shape-shifting alien that assumes the appearance of its victims. So why another episode on the same film? At any rate, here you go. Chad talks about his love for The Thing and the effect it had on his artistic work. Your s Grue-Crew love talking The Thing and are impressed with how a year-old film is able to spark such discussions. They could probably spend a couple more episodes discussing the merits of this landmark film.

Decades of Horror s Episode — Re-Animator After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue. She also admits to a big fan-crush on Jeffrey Combs and thinks the ever-youthful Barbara Crampton must be bathing in the blood of children. All-in-all, the s Grue-Crew thinks Re-Animator is a film worthy of inclusion in the collection of every horror fan.

You can bet your ass. In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living.

He also emphasizes the importance of the production design by Massimo Antonello Geleng in creating the look of City of the Living Dead. He is also enthralled by the idea that a priest committing suicide could open a gate of hell and cause the dead to rise. As you might have noticed, the Gruesome Magazine Decades of Horror s is back from its hiatus with a completely new Grue-Crew.

They plan to fit into the new Decades of Horror 3-week rotation with The Classic Era and the s and hope they can live up to the standards set by the previous Decades of Horror s Grue-Crews. I just wanna look good for the boys. You did remember to invite some cute boys to the party I hope. Christopher G. But You'll have a hell of a time. Tenney's classic Eighties gorefest, introducing "Angela" to genre fans in October of Amelia "Mimi" Kinkade stars as Angela who, along with her partner in crime Suzanne playing by the wonderful Linnea Quigley , invites a number of her high school classmates to a Halloween party in an abandoned, notorious funeral parlor called "Hull House.

Christopher and Vanessa revisit Night of the Demons discussing the direction, the cast, and the effects by Steve Johnson. With this episode, Christopher introduces a new set of segments to spotlight the decade in which it was made, the s. Relive the fashion, the dialog, the products, the attitudes that made the Eighties one of the most energetic, fun, and often campy decades ever. Ten teenagers party at an abandoned funeral parlor on Halloween night. When an evil force awakens, demonic spirits keep them from leaving and turn their gathering into a living Hell.

I guess it's coal for everyone! What better way to celebrate the holiday season than to consume the season psychotic slasher film of festive fear and crimson cheer. What's surprising is how Christmas Evil treats its lead villain, Brandon Maggart as Harry, a demented, blood-thirsty Santa. The film examines the motivation behind Harry's fall into uncontrollable and deadly fantasy with purpose and care, wrapping his demise in a bow of horror and spurts of splatter.

Perhaps the best way to enjoy Christmas Evil is to consider the film as being told by Harry, who is an unreliable narrator. How else to explain some of the bizarre experiences in the film, including but not limited to a mob of torch-wielding villagers and a skyward flight toward the Christmas sky.

Christopher, Doc, and Chad take a long look at a forgotten and often overlooked entry into X-Mas horror films. A toy factory worker, mentally scarred as a child upon learning Santa Claus is not real, suffers a nervous breakdown after being belittled at work, and embarks on a Yuletide killing spree. I really liked the outfit she had on. Suddenly, all was right in the horror world, but watch out for that Imp!

Christopher has been clamoring for this film to be included on the podcast since long before he joined the show. Hold on to your Imps. This film feels very much like a "Charles Band" film, director David DeCoteau brings an innocent but dirty charm to the film with his direction, shot choices, and cast.

There are 80s cinematic classics that push the envelope, then there are films like Sorority Babes in the Slimeball Bowl-O-Rama - and, sometimes, that's all you need. As part of a sorority ritual, pledges and their male companions steal a trophy from a bowling alley; unbeknownst to them, it contains a devilish imp who makes their lives a living Hell.

The film partially delivers with Stan Winston creature effects that hold up and the presence of a young Demi Moore. And, then there is the 3-D, effective and restrained, not as over-the-top as later films or the previous Comin' At You. On Horror News Radio, week after week, as the Grue-Crew mentioned the upcoming Splatterflix Film Series, Christopher shared his memories of seeing stills from Parasite in Fangoria, specifically the shot of a victim with a hollow pipe sticking out of his chest with blood dripping out the far end.

Each week, we would eagerly announce that Parasite would be showing at the event. To see Parasite in 3-D would certainly be amazing. On Saturday, October 13, , Christopher is finally able to see this scene on the big screen Finally, all is right in the world.

But, let's not forget this is a Charles Band film. Despite his reputation, Parasite proves there is more to the low-budget legendary director than mere schlock and exploitation This is mostly due to the terrific early effects work from Stan Winston, a quick plot, and retro-fueled fascination in its 80s 3-D work. While not a masterpiece by any stretch of the imagination, it may be better than the discouraging reviews heaped upon the film during its release. Christopher and Doc take a look at the film, the cast, the director, the 3-D, and the Parasite creature itself this week.

It's in 3-D, so you know Doc is happy. Take a listen, and you may be convinced to give the film a second chance Paul Dean has created a deadly parasite that is now attached to his stomach. He and his female companion, Patricia Welles, must find a way to destroy it while also trying to avoid Ricus, his rednecks, and an evil government agent named Merchant.

Hell, the trailer amped up that pledge with Mr. King proclaiming he would "scare the hell out you! The cast and the effects are examined along with the conflicting internal logic the film sometimes follows. It's all here for a special episode demanded by the DoH listeners: Maximum Overdrive.

When Earth passes through the tail of Rea-M rogue comet, the machines come to life and start to kill mankind. A group of survivors is under siege from fierce trucks at the Dixie Boy truck stop gas station and they have to fight to survive. Mausoleum" the tagline for Mausoleum sets us up for a bizarre, zany, gory, and often super-silly overlooked horror classic from ! The film features Bobbie Bresee in - and out - of full monster make-up complete with Practical effects for the win!

Doc Rotten and Christopher G. Josh shares how Mausoleum was a VHS staple for him growing up, watching the film over and over from the local video store. Doc shares that he caught the film first at a drive-in double feature paired with Lucio Fulci's The Gates of Hell. The film is perhaps best remembered for its better than expected, if not spectacular, monster designs and effects.

If nothing else, the demon monster in Mausoleum is a memorable creation with its glowing green eyes, snarling mouth, and What else can you say? This alien is out to hunt and kill its prey: humans. A team of special force ops, led by a tough but fair soldier, Major "Dutch" Schaefer, are ordered to assist CIA man, Colonel Al Dillon, on a rescue mission for potential survivors of a Helicopter downed over remote South American jungle.

Not long after they land, Dutch and his team discover that they have been sent in under false pretenses. This deception turns out to be the least of their worries though, when they find themselves being methodically hunted by something not of this world. Party all night. Never grow old. Never die. It's fun to be a vampire. No sparkles here, folks!

Released in , The Lost Boys introduced horror fans to a variety of iconic horror flash and style rarely matched in this day-and-age. Keifer Sutherland makes a striking impression as David, the blonde leader of the gothic punk vampires and Jason Patric son of Exorcist star Jason Miller emo-acts his way into every young girl's heart.

A mother and her two sons move to a small coast town in California. The town is plagued by bikers and some mysterious deaths. The younger boy makes friends with two other boys who claim to be vampire hunters while the older boy is drawn into the gang of bikers by a beautiful girl. The older boy starts sleeping days and staying out all night while the younger boy starts getting into trouble because of his friends' obsession.

It took my little girl. I wasn't prepared to stop it then but I'm gonna stop it now. What the what? Thankfully George has his awesome yellow hat. Who can blame him? Acadamy Award winner George Kennedy spends 3 days on set to give the film some pedigree. The film promises Bigfoot vs George Kennedy and it delivers that regardless of how good - or bad - the Bigfoot looks. Thankfully we also have Michelle Bauer on hand to liven up the scenery.

Christopher and Doc share watching the film on the big screen recently at the Raleigh Alamo Drafthouse theater in all its VHS glory - a perfect way to experience this goofy wonky classic. Dave remembers grabbing this one off the rental shelves in and was thrilled to revisit this schlockfest.

A vengeance-crazed hunter searching for his daughter Five youths stalking an inhuman mutation They have just stepped into the alien-spawned realm of Demonwarp The midnight hour is close at hand. Creatures crawl in search of blood. Breaking out of our norm of covering horror films of the decades, for our special 2nd year anniversary episode we dive into the music videos that defined the Eighties, especially those with a tinge of horror to them.

Join Dave Dreher, Christopher G. Moore, and Doc Rotten on this special visit back to when MTV played music videos 24x7 and some of them were as scary as they were awesome For this episode, with the help of previous co-host and Decades of Horror co-founder Thomas Mariani, we dropped a list of 15 horror-themed music videos for the grue-believers to vote on. The top 10 of that list, we discuss on this podcast. We also present some missed classics as provided by fans of the show and some congratulations on our 2nd anniversary.

Thank you all for participating and listening. A killer buried, but not dead. A curse on Crystal Lake, a death curse: Jason Voorhees' curse. After being stuck at the bottom of Camp Crystal Lake in the last film, Jason is awoken by a young lady named Tina Lar Park Lincoln with psychic abilities. It's essentially Carrie vs. It was a time when the MPAA became more critical of violence, causing the iconic kills the franchise was known for to be cut down severely.

Director John Carl Buechler has been publically against how this turned out and we've only seen daily footage of the kills. Some of them were pretty gruesome, but alas not to be. Which makes some of the teen stuff all the more of a slog to get through. Luckily, Doc Rotten, Christopher G. All of them appreciate the final fight with Tina and the ambition of having a superpowered heroine fight Jason. Especially when that Jason is played for the first time by iconic stuntman Kane Hodder.

Yet, there's plenty of issues to have with the editing and lack originality amongst the supporting cast. All this and more is discussed on Decades of Horror s! Buried in the Eighties coming-at-you 3-D effects is a butchered story about the Brody boys all grown up and facing a great white shark of their own Dennis Quaid and Bess Armstrong lead the cast while first-time and only-time director Joe Alves lobs fish, arms, and shark teeth into the audience's lap.

Seen in 3-D for this episode, Thomas, Doc, and Christopher are joined by Paul Cardullo to relish in the wacky cinematic fad. The resulting film, however, does not feel like any other example of Matheson's work. He has gone on record stating his original script was "bedeviled by script-doctors.

Thomas has yet to forgive Doc for this So grab a shovel and your favorite subliminal death metal albums as we try to squash out some demons before they disrupt our 80s house party! Young Glen and his older sister Al Christa Denton have the house to themselves for the weekend while their parents are out. So, while Al is having her friends over for a big party, Glen and his friend Terry are dealing with a mysterious geode they found in the sinkhole in the backyard.

That geode manages to scrawl some incantation on a notepad that the kids read, unleashing demons upon their suburban house. Corpses from walls, dads with melting faces and moms-turned-to-dogs ensue from there. To dissect this horror film for all ages, kids at heart Doc Rotten, Christopher G. While all three originally saw this well out of the target demographic, this trio appreciates many things about this gateway horror film. Christopher loves the subtle bits of filmmaking craft.

Doc learns to appreciate the believable child performances. Thomas wonders if Stephen Dorff peaked to early. It's just too metal a podcast to handle. Better drape yourself in a sheet and lip sync to some demonic songs before the little demons bite your leg! A homicide, or a bad B-movie? It's both.

One of college love, space slugs and zombies from the grave. Haven't we gotten enough of those, guys? The bad news is Only depressed drunken Detective Cameron Tom Atkins can save the day while facing against demons of his past. Not a surprise, given it's a mash of sci-fi aliens, axe murdering killers and Tom Atkins dishing out one liners. A rolicking good time that goes from space to 50s Americana to the nightmarish world of mids college sex romp.

It's got everything and the kitchen sink Dick Miller! There's plenty of terror, romance and "thrill me"s to go around. To dissect all the remaining gory bits of mayhem, Doc Rotten, Christopher G. Moore and Thomas Mariani are here and hopefully the space slugs won't get them first! Shudder as Doc realizes he hasn't seen the Director's Cut ending that crept up on him upon this watch. Ponder with Thomas at the possibility of a Tom Atkins detective story comeback movie.

Of course, we don't condone irresponsible drinking. You'll be dead within the first 20 minutes. Or at least screaming like banshees! Heh heh Why are you torturing me like this? Every time someone gets stabbed in the ankle or thrown into a bookshelf, both the actor and the audience feels it. Raimi started his illustrious career with this independent horror flick and it sure did shape where he'd go from here. There's gore, mayhem and low budget craziness abound.

Might as well Basically, the foundation from which the surreal comedy would spring forth. That doesn't mean it's without merit. By no means. Sam Raimi even this early has so many dynamic camera moves that would later revolutionize blockbusters come Spider-Man. Helps that Bruce Campbell gets the crap beat out of him. Thomas discusses the evolution of the franchise.

Christopher elaborates on how big an influence Sam Raimi had on his young filmmaker mind. Doc talks about how much it created the cabin in the woods genre. Adam winces while describing how brutal Campbell's painful moments are. Listen to find out all the details!

Yet, this feature adaptation is far closer to Lovecraft than most other versions of his stories out there. One that's clamoring for a dissection right here on Decades of Horror s! Shocker that a sci-fi horror story of BDSM, goopy mutation and body unraveling wasn't a mainstream hit.

Yet, one can't help but be charmed now by Dr. Edward Pretorius Ted Sorel comes into our realm to show her. Thought the good doctor may not want the type of experimentation Dr. Pretorious is showing off. Hopefully, the pineal glands stay inside foreheads this time. Thomas starts off by giving the apt adjective of "goopy. Unfortunately, Cthulhu doesn't show up to emphasize all this horror.

Instead, there's plenty of goop to talk about! You can not stop me! I am the ninja! No one, nothing can stop me! But how will this affect her career as a telephone poll worker and part-time aerobics instructor? Ugh, it makes you just wanna doing jumping jacks with weights, amirite? Now under the possessive influence of the Black Ninja's spirit, Christie proceeds to murder each of the officers who participated in the shootout, baffling the cop who is literally sleeping with her on a nightly basis.

The only person with any kind of effectiveness is the mysterious Yamada Sho Kosugi , who arrives from Japan to get his vengeance on The Black Ninja who killed his master and left him with one eye. Ninjitsu and 80s hair ensue from here. Moore and Thomas Mariani look into this genre mashup to find a method to the madness. There's much love for the silly manic energy that made Cannon such a unique film production company.

All the bad ADR, excessive use of explosions and physics-defying martial arts are dissected here. Doc Rotten is delighted that genre favorite James Hong has a cameo. Christopher makes a strong argument for this being the most 80s film ever covered on the show. All of this and more can be shoved into your eardrums like a shuriken to the face. That's ridiculous! They can't be bored. I haven't even started.

Every college kid is wearing a different costume. The perfect claustrophobic area for a killer to hide. Can our heroine Alana Jamie Lee Curtis survive the night and get to the next stop? Take a listen to find out!

Everyone was trying to take their crack at a contained low budget slasher. So, Canada figured "Why not have one take place on a train, eh? Our villain jumps from one outfit to the next in order to avoid detection. It's a real case of misdirection with our killer Doc Rotten, Christopher G. Or perhaps, lack thereof. There are a few moments of surprise here. Mainly with how many familiar faces of the 80s pop up. And of course, magician David Copperfield. The trio also discuss the direction, the kills and of course it's place in the decade.

Some are fans, others aren't. You'll just have to listen to find out who is who. The answers may shock you. I'll never see a movie ever again. Find out as they walk through a winter wonderland free of snow. And brutally so.

Perhaps this is why it failed as much as it did upon initial release. Yet, there's plenty to appreciate now as each of the hosts - Doc Rotten, Christopher G. Moore, and Thomas Mariani - take their own look back. Doc Rotten is surprised by just how many popular character actors show up.

Moore notices all the nuances of set-up and pay-off written in by Frank Darabont. To hear even more details, take a listen! Plus, you'll find out what a "bubblegum tongue" is. Or not. We're still not sure, to be honest. Congrats to Jack Torrance Jack Nicholson for being pull it off.

Especially with his wife Wendy Shelley Duvall and son Danny Danny Lloyd constantly nagging him about "please don't kill us. Family, am I right? Did Stanley Kubrick's lack of faithfulness stop it from being covered on the show? You're damn right it didn't! While the book heavily relies on knowing the madness behind Jack Torrance, Stanley Kubrick's film is more external. It shows the madness for what it is. Presenting the irrational haunts in a rational fashion. This dichotomy is what creates the conflicts of the Torrance family as they fall apart.

Moore attend the Overlook Hotel's July 4th Ball in the middle of winter. Now, some people on this crew admit they weren't huge fans of Kubrick's vision initially. There's praise all around for Kubrick's direction, Nicholson's performance and the terrifying ghosts. However, there's also some crucial questions being asked. Could Chevy Chase have made a good Jack Torrance? Does Jack have "The Shine" like Danny? All these and more are answered, folks! Our Patreon picked episode!

Do we owe our friends a skyscraper roof sunbathing session? Listen to find out! There's the giant flying monster eating people, which is one we're all more than familiar with. Leading to a buddy cop drama where Sgt. Powell and his partner Detective Sheppard David Carradine investigate the string of ritual sacrificial murders in the wake of this creature.

Meanwhile, an ex-junkie turned thief Michael Moriarty becomes seduced by the power of the titular bird and holds leverage over the city while arguing with his girlfriend Candy Clark. Needless to say, it's all over the place. To decipher all the plots, Christopher G. Christopher is baffled by Michael Moriarty's crazed performance.

Thomas praises the barrage of influences that crafted a pretty unique package. Regardless, they're all very happy that the folks at Patreon gave them an interesting film to discuss. After all, how many monster flicks have improvised jazz piano? Because of you this hotel and this town will be cursed forever!

Or whatever the hell is happening in this opening as he's covered in queso. There's a lot more emphasis on the horror of the images rather than a traditional narrative structure. It's an acquired taste. But who amongst the Decades of Horror s crew acquired this taste? While a loose trilogy, each has a Giallo sensibility that combines bright gore with nonsensical narratives. Tarantulas bite a guy's face.

A woman's face melts after being covered in acid in front of her daughter. Zombies attack for no real discernable reason. So, does this sit well with the Decades of Horror crew? Well, Doc Rotten is a tried and true Fulci fan, though he admits that the Italian legend frustrated him initially. Moore and Thomas Mariani admit they aren't as up on their Italian horror. Christopher has some trouble with the dream logic and lack of consistency in the characters.

Thomas can see that, but revels in the unintentional hilarity at play. It's a brazen frank discussion about auteur theory, gore and the grammatical errors of "Do Not Entry. Thank God you're weird. The last one was so normal, it was disgusting.

Including the weirdest man of all: Tom Atkins without a mustache! Hopefully, our intrepid hosts can avoid being sucked in the misty moors of Antonio Bay in time for the th-anniversary celebration. Or, the very least, with enough time to catch Stevie Wayne's Adrienne Barbeau late-night broadcast. Join us as the Halloween Haunts season ends! A ghost story without much gore, inst of ad using atmosphere to build up the tension rather than excessive violence that would color the slasher craze later that very year.

It's an ethereal spooky example of how to build up the environment of Antonio Bay, allowing for silhouettes of the monsters to play horrific tricks on our eyes and creep us out just when it's too late. Moore, Doc Rotten and Thomas Mariani discuss everything in the misty moors that remain unseen. They debate the effectiveness of some of these characters, how much this is a Carpenter movie and ask where the ghost of Atkins' moustache really is. Plus, they wonder just how American Christopher Lee could possibly be.

It's a spooky Halloween edition you won't want to miss! Stay in and tune the radio from Stevie Wayne's channel to hear it all! Voting ends November 5th. Clarke Randall P. Havens explains how harsh a mistress science can be to our young heroes. Luckily, our young boys can take on pretty much everything, including a horrific nightmare creature from a parallel dimension.

Time to grab your Eggo waffles and settle in for a dark and stormy October night! Yet, their friendship is already being strained by the presence of Eleven Millie Bobby Brown , both for her supernatural powers and her closeness to Mike.

There's a bit of descent as to whether or not this is as strong as the first half of the season. Yet, there's unanimous agreement about many things. The kids are all still enjoyable and endearing. Our look into The Upside Down is still creepy and atmospheric.

Matthew Modine goes out like a punk. There's also the question of what the upcoming new season will hold and where we could go from here. All this and more are going to stuff your earholes to the point where you may get a nosebleed. Get this cotton balls ready! But is he really rebelling against the system or merely another cog in the machine? It's a question people often ask themselves every day with no easy answers. Luckily, those answers can come from the most unlikely of places.

Hop into your connected device and hear just how depressing the world we live in really is. The heavy horror sci-fi concept of a TV smut peddler hallucinating technology nightmares didn't seem to attract audiences at the time. Yet with time, this audacious subversion of narrative, time and culture became a cult hit that resonates even more in the ages long since Betamax was a viable platform.

Well, at least for some. Did Doc Rotten appreciate the cynical bitter pills which needed swallowing? Can Christopher G. Moore tolerate the gross-out body horror on display? Listen and find out for yourselves! After all, Hawkins is a quiet small town where not much happens. Kids ride their bikes. Adults do their jobs.

Nothing tends to happen. Much like they are on this podcast. Yup, we're not covering a film. Or even something from the 80s. What type of upside down world is this?! The October haunts season surprises us all! We follow around a bunch of suburban boys who ride their bikes and find mysterious supernatural scenarios in their small town.

It's a must-see for anyone who would listen. So, why not give these first four episodes a true spotlight on a show dedicated to the era it loves so? The three discuss the cultural phenomenon of the show and how it is more than just the popular kid in class with slicked-back hair. Look forward to a follow up on the last four episodes of the season in two weeks!

Or is that a Rubix cube? We can't even tell the difference! Let the weekly October haunts season of the show begin! A rare unflinching example of raw madness and beauty from the author behind the source material. Clive Barker may have been inexperienced, but boy did he know who to work with. It's a shame they explored it in the way they did in the sequels.

Still, the first film is a true masterwork. Gorgeous effects, engaging character perspectives and one of the iconic horror villains of all time in Pin To discuss all of this, Thomas Mariani and Christopher G. Moore welcome back Doc Rotten into the regular recording sphere to start off the weekly October haunts for ! The three discuss the unique antagonist perspective, the use of the Cenobites and the sexaul lines between pain and pleasure.

It's a doozy of a discussion that'll have you spinning from the chains on the ceiling. You may not even want to get down from there! Wanna Play? But how playful will the Grue Crew be about this particular toy phenomenon? You'll just have to see how nice our boys play. Chucky is the last of the iconic slashers from the 80s era.

Coming off the heels of Freddy Kruger and Jason Voorhees, Chucky had more of a way with words like the former rather than the latter. A foul-mouthed doll that had the voice of a slimier Jack Nicholson impersonator. He may be little, but did he pack a punch. Despite the seedy underpinnings, the two revel in the sweetness of the adorable Vincent and his struggling single mom Hicks.

The two build a solid base that Chucky try to chip away at with his Good Guy hammer. There's plenty to discuss with this small package, but just you wait until that toy bursts out of its box. Or so we assume. Caleb Cotton Adrian Pasdar is a modern hombre who gets mixed up with a group of marauders with a thirst for blood. Paxton chewing up scenery. Vampires wandering around in a mobile home. Some kick ass fire stunts.

This western aesthetic creates a vast endless desert for our heroes to wander around, looking for blood to feed on as they avoid exploding in the wake of the sun. The moment your hear those spurs coming closer, it's not a gun you have to worry about. It's the fangs that'll tear out your throat. No, for this live episode recorded at DragonCon, our boys are joined by C. Robert Cargill. These five talk this gem of a vampire film in front of a live audience, asking the big questions.

Is this peak Paxton? How much of this genre fare crept into Kathryn Bigelow's Oscar material? All these questions and more are answered in this episode! Will Louis heed these warnings? Can he recover from a major blow to his family? He demanded that director Mary Lambert and her crew stick close to his script.

They're trying to raise their children and cat named Church. Unfortunately, a few members of that family die, leading Louis to attempt to bring them back via Half have read Stephen King's novel, the other half hasn't. So, one side can help the other with answers.

How much of Mike Hughes' performance is made in editing? Does Church actually eat the entire Thanksgiving feast for cats? Just don't answer the door when the zombie questions knock at it. Unless you're into having sex with them.

But we ain't judging. It's a terrifying example of zombie carnage. One that still stands as a special effects achievement for Tom Savini. Some would say no. Others say it ratchets things up to the next level. Where does this crew stand? Tune in to find out! We see the development of the zombie apocalypse from initial phases to near extinction with this trilogy. Now, humanity is stuck underground and tensions are high.

Food is running low, ammunition is being stock piled and there are factions being established. All the while, scientific progress is attempting to flourish as the scientist works with Bub Sherman Howard , a zombie who shows signs of remembering his past.

Thomas enlists a few people to help find this card stuck in the deck. He loves the apocalyptic tone and brutal kills. Moore returns to the show and is less than impressed with the annoying characters and cheap look. Thomas rounds out the cast by agreeing the film deserves more praise, as the best aspects surf over the problems without much issue. Mainly Bub as one of the stand out zombie characters of all time.

Acting like a real parasite on the back, you could say. Just your average 80s "Say No To Drugs" special. You got it all; the young relatable protagonist, a drug pushing worm monster, and hallucinations that combine every drug imaginable. Frank Henenlotter's anti-drug masterpiece has gone underappreciated for nearly 30 years.

But on Decades of Horror, we don't forget. We never forget. The story of a young man getting addicted to drugs via a brain sucking parasite is pretty messed up. Especially when you become a vehicle to murder. Brains being sucked out of heads. Bizarro acting.

An oral sex scene that turns into A Nightmare on Elm Street. Both go over their family bonding over a brain sucking slug. Thomas, on the other hand, is new to this one. He has plenty to say about the Reagan era drug film subversions and Zacherle's underrated voice acting. They're all so excited, they just need a drop of Almyer's juice. Just one to tide us over, man!

The innocuous entertainment. Tonally disproportionate news items. Commercials that hawk consumer products that do nothing for their customers. All of it speaks to the world we currently live in. Luckily, Paul Verhoeven manages to slip in some ultra violence, amazing special effects and strong character work in between to make us a bit less depressed. Plus, that weird sewage mutant monster scene.

He loves his family and is a cop of extreme dutiful spirit. Even after the police force becomes controlled by the corporation Omni Consumer Products, Murphy still goes by the book to help people. Even at the cost of his life at the hands of Clarence Boddecker Kurtwood Smith. Trying to spearhead his initiative on ED, a faulty robot defense system that he wants to ship out for the millions it will bring. Yet, our heroic cop is haunted by dreams of his former life and struggles to rekindle his humanity with the help a young cop he met on his death day Anne Lewis Nancy Allen.

Moore are in need of help. The four discuss what makes this work for a horror show like ours. Sure, there's plenty of science fiction and action. But the gore and psychologically disturbing nature of Murphy is pretty terrifying in general. They all praise the performances of this incredible cast, namely Peter Weller in that suit. A horrific yet incredibly smart genre exercise.

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