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RUSSIAN INVESTMENT IN CAMBODIA WHAT DOES IT MEAN TO TOUCH

The Cookers is not a typical all-star group but a tight working band. They have been together since June and play 20 to 30 gigs a year. Warriors is their first recording. Bonamassa was born in Through touring the stadium and arena circuit, these bands built a reputation as performers who took no prisoners with their volcanic riffs and building a wall of sound that was thrilling on every audio and visual level. Joe seems to understand this.

Working endlessly all over America and Europe, he has acquired monster sized chops sputtering out blues notes that appeal to the youngsters and middle-aged adults who came of age during the golden age of rock. This album blended groovy tracks to nicely arranged soft sentimental tunes. And the recipe worked quite well, as this talented stage-oriented trumpet player made her way through the trumpet stage, mainly dominated by male performers.

This young artist holds a Bachelor degree in jazz studies and a Master degree in jazz performance. Since Cindy Bradley's career has blossomed. Later another piece of her dream came true. Now she takes off with her new album Quantum Drive in warp speed. This is the first album she made after her move from New York to Georgia. Releasing albums on her own label gives Ragan the artistic freedom to express herself in her music.

Nevertheless it's the right music people can enjoy Ragan Whiteside creates with Quantum Drive an enchanting and vibrant album, which can defy any competition with other flutists of smooth jazz. Respect for such a development.

Does the no second takes, out-on-a-limb aspect of playing in front of a live audience, and feeding off its energy result in the best recordings? An original pressing of a hundred copies of the show—done as a memento for the audience members this particular night—garnered such a positive response that Miwa decided to have the music remixed and mastered for a general release.

Here is truly a young lady born to create this kind of vibe, this kind of all-enveloping touch. With a style so sweet and alluring, Scott takes it where she says her band and producers challenged her to take it — to the next level. She also believes that this CD will hold its own. Well, I'll go one better and predict that it will surpass the expectations of her and her comrades. This is about as tight and solid a recording as you could want, and it never misses a step in maintaining that tender airiness that makes it so well-rounded.

Whatever, the band are reggae royalty and are justifiably celebrated on this new 'Best Of' compilation. But it's a compilation with a twist, Toots Hibbert and the boys are joined by a diverse host of talent intent on celebrating the band's rich musicalheritage. In addition to the eclectic musical choices, Kuroda has an interesting choice of instruments.

He uses the trombone in his charts that give the music a strong punchy feeling. If you are a fan of groove-laden music or the CTI recordings from the 's, you will like Rising Son. He explained the vibe of some of those tunes. Brian Culbertson - Modern Life "The jazz world keeps so busy talking about the young lions on the straight-ahead side, it's easy to overlook the enormous potential of contemporary wunderkinds like keyboard whiz Brian Culbertson.

The Chicago native's Long Night Out was one of last year's radio smashes, but he reaches even deeper into his vast melodic artistry for a unique perspective on Modern Life. Nicole Mitchell's Ice Crystals - Aquarius "On one hand, it doesn't seem right to hear a band with a flute-and-vibes instrumentation and immediately compare it to the collaborations of Eric Dolphy and Bobby Hutcherson.

The latter two are great artists to evoke, but it feels like it goes for the easy description. Then again, Aquarius does just that on the back cover, amending it by saying the album gives the reference "a Chicago twist. Flutist Nicole Mitchell has written for a number of bands over the last several years, including a string quartet, a project inspired by modern science fiction with intense vocals that worked where others failed and smaller groups. Aquarius, she says, is the first album in a while where she simply wrote tunes without an overarching concept, and as such it comes off like more of a straight ahead band with themes and solos - albeit ones that avoid anything standard in that situation.

You know very well the sort of music that you want to have with a glass of fine wine and dimmed lights, in an upscale restaurant or a dark-wood-paneled intimate club. Piombo, whose career spans three decades and whose guitar has made waves across the world's jazz stations, delivers that ambiance and more in a direct, engaging tone and a recognizable and relatable style.

Rountree's playing has been compared to acclaimed trumpeters like Chris Botti and Kenny G. Produced by Billy Meadows and Dana Davis, Sumthin' Good delivers on its promise to offer audiences something that is very good.. Otis Taylor - Recapturing the Banjo "Thanks to films like Deliverance and the rise of bluegrass since the mid-'50s, the banjo has come to be associated with white Appalachia in most people's minds, but the instrument actually has its origins in West Africa, arriving in the New World via the slave trade, and consequently became a dominant factor in early African-American song styles.

A simple instrument with tremendous modal possibilities, the banjo, particularly in its five-string version, also has a much wider range of tones, approaches, and styles in its repertoire than most people only familiar with the slash-and-burn speed style of modern bluegrass are likely to realize.

In this regard, the title of Otis Taylor's ninth album, Recapturing the Banjo, is quite literally a mission statement. The trio play two original compositions, alongside standards and songs by Oscar Peterson, Dr. Considering the tendency of many young players to focus on complex rhythms, baroque technique, and being different for the sake of difference, hearing these three gentlemen explore jazz fundamentals with such wonder, drive and sensitivity serves as a welcome antidote.

Zachary Breaux - Uptown Groove "With a prickly, doodling jazz chorusey style, the late guitarist Zachary Breaux could fit comfortably into the Earl Klugh light-and-breezy smooth jazz mold-but his willingness to experiment on his strong recording, Uptown Groove Zebra ZD ; set him apart. Breaux, a well-traveled sideman whose touring credits included a stint with Roy Ayers, is all over his instrument, hitting light, high-toned chords on "Cafe Reggio" and trading soulful licks with flutist Hubert Laws on "I Told You.

Bean produced the album with the help of Kickstarter, a website that funds independent projects. If her first solo album Superhero blew you away, you should prepare for a tornado after you hear O' Farrell Street.

Like Superhero, Beans new album is full of powerhouse songs that will make you want to belt with Bean. Patrick Yandall - Samoa Soul "Smooth jazz has many complexions and one particularly distinctive hue is that which shines back from the laid back music confines of San Diego.

Maybe this is due in part to the now legendary winery events that populate the musical calendar of the area. Perhaps it's simply the routinely wonderful weather that gives the plethora of great open air shows at hotels and resorts their own special feeling. Whatever the reason, a sure thing is that if one musician epitomizes that San Diego vibe it is guitarist Patrick Yandall.

Gretchen Parlato - Live in NYC "Subscribers to the thesis that a great jazz singer uses her voice in much the same way a horn player uses her instrument looking for evidence can point with assurance to the vocals of Gretchen Parlato. The pixie with the subdued breathy style is a singer who thinks like an instrumentalist. Live in NYC, her latest album, a set of nine previously recorded tunes revamped and recreated over the years, makes the point emphatically. The set is testimony to both Parlato's musicianship and her creative growth.

Fourplay - Energy "Energy: a word that means power or force. It's appropriate that Energy is also the title of Fourplay's debut with Heads Up. Each, an individual band leader or session sideman in his own right, the four spend part of their time as a supergroup. Collectively, they've appeared on numerous recordings and gained widespread appeal.

Straying away from the trio sound that we heard on his last album Bond: The Paris Sessions, this new release features a full ensemble. Resting the tradition of classic swing aside, Life Forum takes ownership of an original sound that does not feel like just another fusion album. FM and Discography. Kirk Whalum - Forever, For Always, For Luther "Luther Vandross has the distinction of being the most recognized voice of any singer in his generation.

His signature style has mesmerized audiences the world over with charisma and tonal perfection. Luther's songs have been recorded numerous times by artists in both categories and he is considered by many to be one of the most prolific singers around today. Unfortunately, in recent years his voice has been all but silenced by a debilitating illness, yet the legacy of his numerous recordings remains firmly intact as a result of his years as an icon.

Luther's reputation is the stuff of legend. Since his debut in the early eighties, he has garnered numerous accolades and a number of Grammy awards. Due to his illness, Luther has not been recording for the most part, much to the dismay of his many fans. But in honor of the contributions he has made to contemporary music, a group of star-studded jazz artists have gotten together to record a very endearing CD entitled 'Forever, For Always, For Luther. Nunn - JazzReview.

It's thrilling to hear how self-assured and confident a group of musicians can become when they learn, grow and develop their talents together. It's a joyous and satisfying experience when it all comes together in an burst of aesthetic brilliance. And that is exactly what Spiral is. This is the album that Hiromi Uehara, the piano prodigy from Japan, has been building to. In 65 minutes and 40 seconds of flawless playing and bold conceptualizing, Hiromi, along with her fellow Berklee-bred musicians, Tony Grey on bass and Martin Valihora on drums charge through what she describes as "three-piece orchestral music.

In addition to the elegant, assured vibes soloing of Burton himself, this richly varied and unfussily musicianly album also features another in the line of superb guitarists championed by him Pat Metheny and Larry Coryell got their first breaks in his band. Given his South American heritage one might have expected Mariano to use this release as his homage to the music of bossa nova that celebrates its 50th anniversary this year.

Instead, as if from no-where and under the good guidance of nuGroove Records, he has delivered ten original smooth jazz stunners that look likely to instantly catapult him into the upper echelons of the genre. FM and Facebook. For this release, her second Bluebird Jazz recording, Elias selected the repertoire carefully, choosing meaningful songs that would work in a bossa nova setting, by both American and Brazilian composers, most of the latter of which already had lyrics in English.

In addition to the predominantly English lyrics, two other characteristics set this album apart from her prior efforts: she is backed throughout by the lush sounds of an orchestra, and here Elias the singer is front and center, accompanied by Elias the exquisite pianist. Robert Bragonier - AllAboutJazz. Operating on so many levels beyond mere words and sounds, this album is a veritable window into her soul.

Indeed, there is no mystery. Make no mistake this is a bona fide contemporary classic that will be listened to for many years to come. Johan Leijonhufvud - Eurolines "So I can't pronounce the cat's name. It matters not.

That's what makes Jazz — almost any music, for that matter — so singularly inspiring. It transcends such narrow boundaries as name, rank, serial number, age, ethnicity or other specious considerations. Jose James - No Beginning No End "No Beginning and No End puts everything together for the 35 year-old James—a recording that is sexy, hip, engrossing, and eclectic without being unfocused.

Jazz may be there in some of the singer's phrasing and tonal control, in the slick piano work by Robert Glasper or Kris Bowers, or in the pocket-funky horn parts, but mainly this is a set that hits you square in gut or the ass or the heart. It's slippery and funky and ready to move you several ways. Sixteen years after breaking onto the scene with his first national recording That Feels Nice—a sentiment shared by thousands of fans who still have that seminal work in their collections—the multi-talented San Diego based performer is as dynamic, passionate and inventive as ever on his Innervisions Records debut The Window, which marks his incredible 11th release to date.

It is, in fact, rather determinedly old-fashioned in a good sense. The CD mainly focuses on Unzueta not surprisingly, since he produced it and wrote all the music but also showcases the talents of Gordon Peeke on drums and percussion, Larry Steen on acoustic and electric bass, and Eric Marienthal on soprano saxophone. The performers play well together and, just as importantly, play well off each other, handing tunes and themes among themselves neatly and pleasantly.

The nine tracks on the disc meander through most of the moods that jazz conveys. Recorded in a manor house in rural France in just a few short weeks, this album is destined to be one of the best of the year Adele - 21 What a difference two years makes. She named her first "19," after her age when she recorded it. Twenty-four months later, she has dubbed the new one "21," but the growth spurt it measures suggests a span of decades.

Make no mistake, "19" was no novice leap. It showed a young singer blessed with a handsome tone, ample lung power and an enviable ability to negotiate a tune. It fully deserved its platinum sales and Best New Artist Grammy. Farber - nydailynews. Either patronized or dismissed out of hand, she's suffered the double whammy of one, being a woman in what until very recently was overwhelmingly a man's world, and two, being John Coltrane's widow""and therefore, by some strange logic, not a serious artist in her own right.

Like Aretha Franklin, Henry can speak a variety of musical languages, and this allows her to shift genres. After the first tones one immediately remarks the high professionalism of the album. With such a fuliminant sound in the background every track gets its own noblesse U-NAM shares so much memories with us. It's fantastic. This album is one of the best smooth jazz albums I heard since several years.

Without exception strong songs, no filler. For some time now, Moulder has quietly been developing his sound into something quite unique. The Eleventh Hour provides the opportunity to hear it in a live setting. Maybe it's the round sounds of those early keyboards or the soul choruses that makes that era so warm.

Lonnie Smith - Rise Up! The old guys either repeated or tried to recapture what they'd done before and too few of the new guys had anything new to say. But then there was Lonnie Smith. This veteran of '60s organ combos, the genre's golden age, quietly returned to the scene in the early '90s, sporting a turban and a new prefix to his name.

He seemed reborn, he wasn't regurgitating what he'd done like so many of the others. He was working a whole new groove and making some of the best music of his career. Paul Carr - Standard Domain "On his latest release, Carr argues for the continued importance of a standard repertoire. It's not a groundbreaking statement by anyone's count, but maybe it seems at least a little bit meaningful today, when jazz means so many things to so many people. Characteristically, his statement is pro-tradition but anti-dogma; he's not sticking to any routine playbook.

Musically, that's a world away from Dulfer's wild touring experiences and sessions for Prince, but she took the gig and created what are decidedly ambient vibes for the film. There's something mesmerising about watching the Dublin-based Mexican duo thrashing seven shades of salsa-flavoured jazz-metal fusion out of their long-suffering acoustic guitars on stage.

Much of their appeal lies in this exceptional playing: the pair can often resemble a couple of demonically possessed Hispanic street urchins caught just after trading their souls to el Diablo at a crossroads somewhere near Guadalajara. Alongside the likes of Taylor Eigsti and Vijay Iyer, he is part of the chasing pack likely to break through into the lead. In his jazz trio, Glasper combines a sharp brain with nimble-fingered technique, taste with restraint.

He leads the Robert Glasper Experiment, an outlet for his hip hop-flavoured music. On Double Booked, his third Blue Note, he showcases both aspects of his music. Rhythm Sessions is a slightly unique conceptual idea in that it celebrates the net worth and vital place held by the rhythm section in any musical endeavor of substance. What makes this release so special and in some cases the proverbial critics worst nightmare is not from a performance but from a compositional perspective.

While the improvisational jazz root is firmly fixed, the genre and in some cases soundscapes created move in layers of funk, Latin and even what I would refer to as neo-classical world music. In fact you wish they were instrumentals with cool guitar melodies and solos playing over the top? This album is full of the funkiest instrumental guitar music I've heard in a long, long time.

This singer from Los Angeles has a laidback, jazzy vocal style that's a throwback to the jazz singers of yore and goes best with only an acoustic guitar or a lonely piano as an accompaniment. Her voice is a dependable soundtrack for a cozy romantic evening. The exhilaration comes in discovering absolutely wonderful music that few people have heard. The depression comes from the realization that true talent, at least in this genre, too often languishes in obscurity.

Janoff has a half-dozen albums to his name. His latest, "Come Together Move Apart," is a strong effort in every respect. Bob Marley and Gregory Isaacs seemed to possess the remarkable ability to make people unwittingly bob their heads, like something out of Beetlejuice. I know the song was Harry Belafonte and calypso, but just go with it. Nonetheless, I decided to give the album a listen, and I'm glad I did. The Archives are definitely onto something, and their lyrics are refreshingly perceptive.

Before I go any further, don't get it twisted. The beats, produced by famed Thievery Corporation DJ Eric Hilton, are ear honey — at times, reminiscent of all the classic reggae jams produced by Tuff Gong himself; at other times, a mixture of soul and jazz. But I'm a lyrics lover, first and foremost, and the lyrics and themes on this album are socially provocative from the moment you press play. Orly - Distraction "here are a lot of artists that play the eclectic field well, so well, that being classified in a specific genre is almost a thing of the past, but what is the difference with Orly?

Her voice. It's a crisp n' clear vocal that has impeccable and controlled diction and really suits each of these tunes with the utmost class. The best example of that is on track "Beautiful Disguise". You can hear every word, every emotion drip from that voice. We've been so used to hearing voices that creak and moan, applauding the rawness, that hearing Orly reminds one that simple can be just as effective. Even when she's doing my much abhorred gamut of Motown baiting "Get Together With The One You Love" , she is so spunky and pure, that the vintage sound is dressed up in fresh and modish flair.

Yes, this is how you capture the Motown spirit and ward off sounding like a Amy Winehouse rip-off. It's arguably the most popular with audiences. But it's also a punching bag, often disparaged by critics and laymen alike for being an outpost of cheap sentiment, hackneyed emotionalism and just plain bad lyric writing.

A quick look at current music charts reinforces that perspective. London-based La Havas wrote or cowrote all the songs on the album except for her cover of Scott Matthews' "Elusive. Patrick Yandall - A New Day "If there is one musician whose style typifies the sun soaked vibe synonymous with the city of San Diego it is guitarist Patrick Yandall. There's even a Blues song called - get this - "Country Music.

It has a little bit of everything. This is the fifth duet recording from these two; their interaction shows the ease and comfort of a long association, even though the last release was twelve years ago. This led to her being given a guitar, which led to her discovering Led Zeppelin. Jump ahead about ten years and you find an amazing artist who is not what you might expect, given those beginnings.

Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Critic John Bush wrote that Holiday "changed the art of American pop vocals forever.

Abraxas - the name was copped from Herman Hesse's Demian - was released a year after the eponymous debut and basically continues in the same vein as its predecessor. However, this impression results more from the fact that the band's sound was so unique and convincing, and not because they didn't evolve. No other band sounded like Santana at the time and yes - no band ever sounded like them since , and no guitar player has ever succeeded in successfully imitating Carlos' stellar guitar playing.

After many listens, it becomes clear that Abraxas digs deeper than Santana, offers a bit more variation and contains more substantial material, as some of the early material was obviously the result of many hours of jamming.

And he not only plays all the many layers of various guitars here but bass as well in a nominally foursome format. Chief' in English……and, hmmmm……y'know, at times, like in The Hook Up, I very strongly suspect a drum machine—either that or El Jefe's exceedingly precise.

The Grammy -winning artist was born in Shreveport, La. His inspirations include such guitar giants as Jimi Hendrix , Wes Montgomery and George Benson , the latter of which is closest to Brown in overall style. The producer of the session was Creed Taylor who would later leave Verve Records to start his own label CTI which soon became the biggest independent label in the history of jazz.

A naturally gifted player with a beautiful, warm tone and a melodic penchant, his playing is eminently pleasing, if a tad too mellow and deliberate for fans of unadulterated burn Mainly instrumentals with at least one vocal track contributed by a big-name artist and one or more other tracks with added vocal flavorings, usually in the form of rhythmic chanting.

A clean, slick recording that is both polished and crisp. Since he has been leading his own groups, drawing on a wide variety of mostly contemporary styles on his 19 solo albums. Back in he started a group he called Soulgrass, inspired by the banjo-dominated music of Bela Fleck's Flecktones. Fleck appeared on the Soulgrass album which won a Grammy nomination. This track compilation album features music from his last two albums, Soon it will be Cold Enough and Safe in the Steep Cliffs, remixed by an impressive roster of artists.

The album includes collaborators such as Blockhead, Ooah of The Glitch Mob , Big Gigantic, Michal Menert, along with Emancipator himself, who have contributed their expertise and put their own spin on Emancipator's already innovative work. Working together, these artists have made Remixes a unique, multifaceted collection worthy, not only of Emancipator's catalog, but as a stand-alone compilation.

Birdy - Skinny Love "The word "haunting" is common as gossip in pop criticism — wont to tag everything from Phil Collins' chocolate flogger In the Air Tonight to the Eminem murder ballad that references it, Stan. But there's really no other word to describe the record that gave Birdy wings. Released back in January, her voice-and-piano cover of Bon Iver's Skinny Love, as economical as it is evocative, became a Radio 1 favourite and unexpected top 20 hit. Four80East - "Round 3" , "It says a lot about a band's creative uniqueness when the hybrid style of music they play defies easy genre categorization the way the melodies and grooves of Four80East do.

When the duo—whose instrumental side projects were billed under the moniker Four80East—recorded Nocturnal and Round 3 for Higher Octave, the chill music phenomenon was taking off, so it seemed appropriate to put their music in that pocket. It's his fifth album and displays great musicianship with a fine balance between sophisticated rhythmic grooves and fluid melodies. On this one you'll find lots of original tunes and two covers.

This CD, as his previous ones, has been a growing process for this talented guitarist. And this continuous quest for the best guitar sound results in a highly recommendable CD, which gets him closer to greatest jazz guitarists such as Wes Montgomery and George Benson. Yamanaka takes a playful tone on the original opener, ironically called "So Long," establishing that she will play lightning runs, sometimes taking up the whole keyboard, to sinuous rhythms.

She acknowledges a major influence with Bud Powell's 'Blue Pearl'. Curtis Salgodo - Soul Shot "Here's how my night went. I checked the mail just as I was walking out the door to head to dinner. In the mailbox was the latest release from Alligator Records and the great Curtis Salgado.

Honestly, I almost skipped dinner so I could listen to it but I was starving and I figured Curtis wouldn't want me making that kind of sacrifice. So Soul Shot had to wait for a few hours. It was worth the wait. There is so much good stuff on here I don't even know where to start. I just told him how awesome I thought Soul Shot was.

Rather than overwhelm this time with hardcore commercial funk grooves and calculated radio hooks, Jeff Lorber is more into cool vibes and soulful atmospheres. She has a voice I can listen to all day, but that lets the songs shine. And while it's nothing you haven't heard before, it's one of the better examples of the vocal style.

For that, the album is one of the better examples of the slow, romantic jazz style. If you're looking for romance, a background as a Prelude to a Kiss, you wouldn't be going wrong putting on Sophie Milman's In the Moonlight.

With Varney as co-songwriter and producer, this pairing has unquestionably done great things for Gale's tumultuous career. Starting out as a teen prodigy with The Eric Gales Band, Gales was destined for greatness as the new Hendrix when life happened to him. Bad decisions, drugs, personal tragedies, jail, and eventually rehab, had earned him some serious blues cred, life cred, and a new found maturity.

There are no rappers or hype men announcing the arrival of the new Alicia Keys joint. And though the beats are heavy on tracks like the covertly political "Go Ahead," which displays Keys's funky low end, whatever sweat she breaks isn't due to urban club jams but sultry mid-tempo numbers that one can imagine being pumped into hot Harlem nightclubs or humid summer block parties circa Hiromi - Another Mind "'Hiromi is a dazzling, slight, sprite of a lady who, on stage, dominates the instrument with a confidence-exuding, physical swagger in a manner that can only be claimed by those at the highest levels of performance in the world today.

In fact, her perfect posture and barrier-free technique are reminiscent of the great Frenchman Jean-Michel Pilc, but in very different context. The music mixes dashes of nuevo samba, funk, odd-time regalia, microtonality and steroid-laced ragtime and Tin Pan Alley into a heady brew of high-energy jazz that is closest in classification to, dare I say, fusion - all of which lends itself incredibly well to the sonic pallette that Hiromi creates on electric and acoustic axes.

The notion that a great jazz vocalist doesn't perform a song so much as inhabit it may be a cliche. Evans steps into more adventurous territory on Soulgrass, blending jazz, funk and bluegrass into a seamless and wholly unique hybrid of quintessentially American styles. With Randy Brecker, Russell Ferrante and Eric Marienthal, among others, on hand to share their talents you know Ndoye must have a garnered a great deal of respect among his fellow jazz musicians.

Erdmann - Jazz Review. While he has made many fine albums since then, most of his notoriety has come in the past few years. Since joining ECM, Stanko has produced many fine albums. Soul of Things is the latest in his string of albums Litania, Leosia, and From the Green Hill and continues the level of excellency he has established for himself. Duets II follows the first by five years and features, surprisingly, a cast just as star-laden, but also arrangements that are much more dynamic, and suitable for each song and its participants.

Marion Evans, a veteran whose career goes back nearly as far as Bennett's, handles the charts for a few of the best here. Bennett, as ever in splendid voice and impeccable groove, laughs and trades lines with stars half his age like John Mayer , or in the case of Lady Gaga, six decades younger, and clearly makes them so comfortable in this setting that it would be easy to believe that jazz vocals were their home.

Narada was a sketchy proposition at times, tending to the New Agier side of the house, whereas Sona always held a more serious attitude, and one of their best releases—this one, Ancient Future's World without Walls—was never quite critiqued or marketed as it should have been: as a set of works in the tradition of Mahavishnu Orchestra, Between, Shakti, and other adventurous bands with almost inhuman chops.

After all, the entire World gig pretty much rooted in the inestimably superlative Oregon, an ensemble that was and still is eons ahead of its time, talented beyond compare. Tucker - AcousticMusic. Anita Baker - Rapture "Rapture, which was released in , is an emotionally rich, subtly restrained suite of songs that merge elements of jazz and soul, with an emphasis on ballads like "Sweet Love," "You Bring Me Joy" and "Been So Long.

Baker says she was not concerned about how different Rapture seemed from much of the music out at the time. Everyone needs it to stay sane. In London, though, it's hard to find. Coffin-narrow streets are piled with tiny flats, subdivided into even tinier rooms, cramped and claustrophobic. No act of chance, perhaps, that it's in the capital that the most original music of recent years, dubstep, with its booming, echoing spaces, first developed.

The xx, four kids from the dubstep heartland of south London, have quietly set up an emotional squat in those spaces, with bedsit-delicate love songs. It's strange that such a traditional set-up drums, bass, keys, guitars, voices has resulted in one of 's most unique debuts. Fortunately, on Miles From Memphis the insistent propulsive energy rarely lets up. Her commercial power in the pop market may have faded somewhat in recent years, but Sheryl Crow remains one of the most consistent of pop and rock soloists.

Long-term fans will be pleased by this album, and more casual followers should be impressed by the stylistic commitment here. Within a year she had played more than venues across the western U. But it wasn't long before she parked the camper and left her hometown of Denver, moving to Nashville — though her band remains here, she said.

Patrick Yandall - Laws Of Groovity "In this time where smooth jazz radio is slowly disappearing, an independent artist has a really tough time. Even when smooth jazz radio was flourishing, independent artists rarely got air play.

But that never deterred guitarist Patrick Yandall from putting his music out there for all to enjoy. Laws of Groovity is Patrick's ninth CD and truly one of his best Patrick Yandall still remains somewhat under the radar, but hopefully more listeners will appreciate the depth of his abilities whether it's playing or composing.

Laws of Groovity is another terrific offering from this guitarist. Check out CDBaby, and Amazon. Full of sweet grooves, spunk, and slick but not frenzied drive. On both nights, the first set was a standard hit by the Christian McBride Band; the late sets featured some anointed interlopers. Disc two of this release documents the first guest jam—with guitarist Charlie Hunter, violinist Jenny Scheinman and pianist Jason Moran—in raw and uninterrupted form.

It should come as no surprise that disc one, a sampling of the strongest CMB performances from both early sets, yields the most coherent music on the album. Straight out of the gate, the group's collective impact is clear. This has a lot to do with the hookup between McBride and drummer Terreon Gully, whose whiplash propulsion has probably never had a better showcase. Clerks and customers will immediately pause to hear whatever you have to say about one of the greatest practitioners to ever pick up the instrument.

Martino's latest release showcases a veteran virtuoso who continues to amaze. Hearing it makes you wish that you had been there, and it makes you grateful that we now have this terrific CD. His initial solo release, Come Rain or Shine, appeared four years ago serving as the artist's formal introduction.

On Under the Sun the artist has emancipated all his enormous creative chops to craft a modern tour de force that provides gratifying classy excellence throughout. Bradley states that the idea lying at the root of this record, after reflection of his own life, was the philosophized principal to enjoy life during the brief time we partake of under the sun pursuing ones dreams, hopes and aspirations.

It's an important distinction to make as, in the hands of the wrong production outfit, Genazzano could have slipped into the slush pile, her sultry, playful voice wasted with cookie-cutter arrangements. But Genazzano avoids the processed cheese completely, instead singing over a classy collection of light funk and ice-cool vocal jazz, much of it enveloped in a Latin context.

Sutton - All About Jazz. There is a nice mix of mid-tempo tunes such as the aforementioned "Let Down," and the sensual "Embrace. She is an artist who is equally adept at making her listeners lean in close to listen to her pained lyrics on "A Woman's Presence," and have them dancing in their seats while listening to "King.

Garza and Hilton refer to it as a way of thinking about the world. Being a world citizen and having a consciousness and appreciation for other cultures Overall, Radio Retaliation gives listeners a great dance disc with strong political awareness. The guests add dimension to Garza and Hilton's compositions. Although the duo has a strong commitment to world music, the collaborators also give the recording an authenticity that makes its message all the more powerful.

Futurism, , with an album that capitalizes on its predecessor's strengths while at the same time, recruiting an even larger cast of characters. Cool Man Cool is a west coast mainstream jazz affair, celebrating Cool, but with some twists and turns thrown in to make it an eclectic mix that not only highlights Geissman's undervalued talent, but those of his sidemen as well.

And with guests including original employer from the '70s, flugelhornist Chuck Mangione, piano icon Chick Corea, guitarist Jerry Hahn and saxophonist Tom Scott, there's enough star power to draw those sadly unfamiliar with Geissman himself. Ben Williams - State of Art "With State of Art, Williams deftly demonstrates his musical maturity as a player, composer and arranger in this varied, yet cohesive collection of tunes. Joining Ben is a more-than-capable group of peers, including Marcus Stickland on tenor and soprano sax, Matthew Stevens on guitar, Gerald Clayton on keyboards and Jamire Williams on drums.

Also making appearances on three tracks is alto and soprano saxophonist Jaleel Shaw Ben's choice of bandmates accentuates the fire and enthusiasm he exudes as an up-and-coming jazz lion. Paolo Rustichelli - Mystic Man "Paolo Rustichelli is a futuristic visionary whose music is highly distinctive. Miles Davis, when he collaborated with Rustichelli near the end of his life, called the keyboardist's music "Total Music.

Carlos Santana, having signed Paolo to his Guts and Grace label, has said: "Paolo Rustichelli's music is hauntingly beautiful Rustichelli recently reached the first position on the Nu Jazz MySpace artist list. Rustichelli is not a jazz artist in the conventional sense of the term. He believes in making music that does not fit neatly into any one category.

His creative objective entails the exploration of various genres in order to conceive something uniquely acroamatic and true to his vision. Through it's empty streets I hear the echo of your voice. We translated them here into English although she doesn't sing in English.

This is one of two tracks composed by Cuesta for this album — a tribute to Antonio Carlos Jobim. Seven of the tracks are Jobim pieces and the set also includes two bossa nova classics: "O Barquinho" and "Manha de Carnaval". Cuesta's story is one of passion, talent, and love. The artist delivers the lyrics so passionately with a voice that is soft yet strong, easy flowing yet revealing a depth of character that it affects listeners. We can feel the same emotions she feels.

We appreciate her love for the genre and her tribute to Jobim is moving. This album sounds amazing, with a power and resonance that blows the studio album away. Live albums always have the potential to go wrong with substandard recording quality, but this album sounds better than the studio album to my ears, a testament to Cooder's meticulous mixing and mastering. And the performance itself is spectacular. Lead vocalist Ibrahim Ferrer's voice is raw and emotive; pianist Ruben Gonzalez seems to float effortlessly yet precisely over each key he touches.

India Arie - Testimony: Vol. While some of her peers are content to create music only from behind carefully constructed facades, Ms. Arie never hesitates to delve into her personal heartaches, expose them to the masses and evolve beyond them in the process. Her fourth CD, a follow-up to 's Testimony: Vol. I've written about Davidsen on a couple of other occasions, and my opinion is always the same.

The guy not only plays with style and class, but he understands the nuances and sweetness of the type of melodies and hooks that reach people. His latest, Spin Cycle, is further proof of that. Ragan Whiteside - Class Axe "The infrequency with which the flute is heard only adds to its magic as a contemporary jazz instrument.

Now, in the skilled hands of the wonderfully soulful Ragan Whiteside, its potential knows no bounds. Their breakthrough album, Princesses Nubiennes, spawned the hypnotic track, "Makeda"—while sung entirely in French, the heavy beat as well as Helene and Celia Faussart's lovely harmonies held universal appeal. The latest in an already acclaimed discography, Haunted is helmed by an artist with the courage and determination to evolve—not only out of artistic desire, but personal necessity At its core, Haunted embodies the journey of an artist focused not on the ghosts of her past, but on the possibilities of her future.

One of her own fashioning. One that for the first time now belongs to her. A future of hope and promise, and she invites her listeners to join her. Two decades of recording and touring extensively on many occasions billed as "Dave Koz and Friends" has helped lay the requisite groundwork for this superb masterpiece.

Superlatively and exactingly produced by the renowned duo of Concord Music Group veteran ace producer John Burk and Grammy winner Marcus Miller, Dave follows the doctrine that he conveys in his liner notes. Said doctrine being: Music has a particular ability to awaken and stir the soul.

Dave Koz has assembled a select arsenal of his many awe inspiringly talented musician friends to rally round the maestro and embrace his dream of presenting one powerhouse album that profusely awakens and stirs the soul from commencement to finish.

Bernie Williams - Moving Forward Bernie Williams certainly broke the mould in terms of his colourful career. Not only was he a baseball star for the New York Yankees, but he is also a classically trained musician whose interest in his Porto Rican heritage led to him being nominated for a Latin Grammy. More than that, he also signed a publishing deal with McCartney and this CD 'Moving Forward' - his second solo album - has already been nominated for a Latin Grammy.

Norah Jones, for example, with a crack band and a Country and Western sensibility, has reformed the interface between jazz and popular music. Think of Jones as Josef Haydn, a musical trailblazer inventing a new way to look at an established genre, one further perfected by Mozart's inevitable invention.

Norah Jones' Mozart is Alyssa Graham. Michael Bailey. And it explores his journey from inner-city Houston to the suburbs of Washington, DC, as he pays homage to mentors and legendary Texas tenor men Arnett Cobb and Don Wilkerson. Soto's latest release Mesmerized is the epitome of cool elegance with a carriage of sophisticated saxophone lines and chutes of simmering grooves beefing up the guitar chords.

Produced by Jeff Lorber, Paul Brown, Darren Rahn and Mario Mendivil, Mesmerized allows the listener to savor the uplifting feel that smooth jazz tubing offers, making every foamy kernel fume with pleasure and partner every sonic strand with a soul mate. Happiness might be in the air, but Soto knows how to lasso it and make it materialize in his music. And in the years to follow, as a three-time winner of the venue's legendary Amateur Night, Cusson would eventually perform alongside some of the music industry's greatest contemporary voices: Babyface, Christina Aguilera, and Norah Jones, to name a few.

Quite fittingly, the grand prize was presented to Cusson by his long-time mentor, Brian McKnight. There's lots of great variety here. These guys do have that chemistry, as was clearly demonstrated in Foreign Exchange. A blues harp master whom has cultivated his trade for now going on 66 years, starting with Sonny Boy Williamson taking him under his wing at the age of age of 9, after his parents had passed.

From then on both history and a legend were being made to the present when James Cotton has long achieved his legendary status as one of the greatest harmonica players of all time. To his credit, Jr. Green often defers to his flamboyant alternating organists Reuben Wilson and Michael Torsone, and altoman Eddie Pazant delivers a typical for the genre mixture of bop and soulful grandstanding. The rhythm section is a tough, kicking combination of Bill Foster bass and Ernest Colon drums , laying down an especially propulsive groove on Gene Ammons' title tune that everyone from the boogalooers to the M-Basers and acid-jazzers would appreciate..

Ginell - AllMusic. With her debut full-length album "Transient," she showcases her rich talent and creativity, presenting an album of soul music with a strong sense of individuality and self-assurance. There's no question about Gaelle's talent as a singer, songwriter, and producer. With her honest, sensual and haunting style, Gaelle joins the space occupied by young female singers like Kelis and Res. The kind of guy who lives to play and sing. The man's just got it in his blood.

He does, after all, come from a musical family. When not touring with the Dolls, Conte still had the itch, the twitch, the need to get the rebel beat out of his soul and into amplified form. Finding like-minded creatures in the forms of bassist, Lee Kostrinsky and drummer Phil Stewart, over the course of two years and many continents they've managed to get 11 tracks down onto disc.

Prybylski initially caught the ear of radio with his sophomore release, Window Shopping, by garnering national praise from critics for his smooth melodic style. This seventh outing contains 26 pieces covering a range of styles from contemporary to bebop, and from Bossa Nova to Latin and Cool jazz. Though the main repertoire on this two-disc set album reprises music recorded between to , there are seven new recordings revealed here as the first of Kahn's secrets.

Very fun, high-energy show. Plus, at least two members are usually wearing spikes onstage. A fine night of blast beats. Flip Gordon or Marty Scurll vs. Zachary Caputo Some of these items were released digitally last year, but their physical release graced my weary record store hands this year. Steven Rahman Best of the Best: P.

These songs routinely locate that rare convergence of unconventional and intuitive, making it an immediately gratifying listen. The rhythm section led by McCraven on drums treads heavily, drawing the broad templates of each idea the band explores. The coarse audio quality really accentuates how tight the quartet plays without feeling restrictive, allowing the set to rely on the push-pull tension between its frenetic free-jazz outbursts and its deliberate groove-based segments.

The resulting record is an absolute tour-de-force, making this an essential listen for anyone with an ear for avant-garde jazz. Richard Dawson — Peasant Weird World freak folk Peasant is among the more lyrically ambitious and theatrical records from this year. The music here is dark, tactile, unhinged and marked by unconventional melody, structure, and texture harps, horns, odd percussion that move quickly between abrasive and pastoral.

For those inclined towards its sound — and the sound of other English freak folk — Peasant is an immersive record that continues to reward with repeated plays. But despite everything, there were some solid releases from this past year that deserve to be highlighted. In no particular order, please enjoy my 17 fav albums from !

This self titled release is dark and melodic, abstract and emotional. Not my fault, just a thing that my mine do. Chance the Rapper — This whole album is a love letter to Chicago and everytime I listen to it I feel so proud to live here. Princess Nokia — Deluxe Favorite song — G. I somehow managed to get it on all 6 of my incredibly different Spotify Daily Mixes, which I think is truly impressive. Dave Martin Captured Tracks Full length records 1.

Protomartyr — Relatives in Descent — Domino 7. Roe Enny — Glare — Root Strata Obnox — Niggative Approach — 12XU Keiji Haino — Watashi Dake? LP — Black Editions 6. Lurkers — 5xCD box — Beggars Banquet Blue Oyster Cult — Rarities Vol. Obedience — Demo — Obedience 5. Live shows 1. The Everymen — Monty Hall 4. Tyvek — Union Pool 5. Green as found in: Hearing a viola while looking at the wet grass after a storm at Bohemian National Cemetery.

Blue as found in: The mirrored horizontal flip scene in the greenroom at Lincoln Hall on Nov 18, wearing a peacock robe. Indigo as found in: You know…! Unless you have bad taste, so. Dean not giving his rose to Kristina.

What was he thinking?!? Get it girl! Bachelor Season 21 ends in March with Nick getting engaged to Vanessa! Nick and Vanessa separate in August. Come on bro! Nick chooses Corinne over Taylor on a 1-on-1 date. Taylor then turns into some sort of voodoo priestess?? J David Cartwright 1. This is a challenging album and not really for casual listening, but man is it good!

It warrants multiple listens and along with the amazing album art, it is one cohesive work of art. Dean Blunt is great at expressing a dissonance that comes with being apart of this modern world. I highly recommend looking into every project he is involved in. Check out the track Blue Smoke for confirmation. Seen Was Set was my ultimate summer jam!

This puppy is addictive, meditative, and very minimally composed. It is calming, yet leaves me with an intense feeling of loss and desire. Pass Groove is a flippin barn-burner! You can stream and purchase this one on bandcamp. There are some forward thinking productions on this one and this sucker is disorienting. All the members of the band compliment each other by locking in through syncopated grooves. A must see live band! Airy jams with a myriad of styles and influences.

Favorite track: Crawl Upside Down. Ryan Scaccia 1. Erased Tapes. Discordant, heady hip-hop that sounds like no one else. Car Bomb — Meta Easily one of the most unique bands in metal, Car Bomb dropped this album after teasing their mailing list with five-second snippets of new music, which fans used the internet to connect and assemble into a full track, natch.

The recording is beautiful. Internal Rot play a crustier, death-metal influenced style while Mellow Harsher is so completely beyond insane-sounding you have to hear these guys to believe it. Mithras — On Strange Loops Willowtip A late release, Mithras returns after nine years and delivers a great album of outer-space death metal. If prog fans can get past the vocals, the musicianship is — pun intended — out of this world.

Lif returns to the mic with a very strong album, a new label and what sounds like a new perspective. One of the best MCs of the last two decades. On the surface, it might not sound like these guys are doing anything special, but the production and their unique flows are more than meets the ear. Dark subject matter, but masterfully executed. Wormed — Krighsu Season of Mist Completely insane third album of intricate, science-fiction death metal.

Hey Mercedes live at Subterranean. Meshuggah live at House of Blues. Finally getting custom, Sensaphonics earplugs after years of ear abuse. Changing from antiperspirant to deodorant. UK vacation, where I learned about beheadings in a historical context. Motor City Machine Guns vs. Fallout 4. The ability to melee while riding a motorcycle in Grand Theft Auto Online. Beautiful Bluegrass music. I love Alex Turner. The strings are arranged by Owen Pallett. What Rihanna does with this record is nothing short of amazing.

These are great songs sung well. If you like vocal Jazz you will like these. His sound is a little more populist, but not so much as to remove the individuality from it, especially considering the amount of Gospel influence. It took me a bit to get into this one.

This is the year of Anderson. Paak is. Yes Lawd! If you like hip hop, check it out. If you like musicals, check it out. Do you have a passing interest in history? Check it out. Tom Walczyk Here are some records that I found to help make a bit better no particular order. I am sure there are releases that I missed so take the time and read all the lists and while shopping in the stores please come talk to us, we would love to point you toward something you will dig!!!

Thank You!!! Luke Dahlgren 20 best of Top 5: 1. Kiran Leonard — Grapefruit Moshi Moshi 3. Gabriella Hileman no order joanna brouk: hearing music drab majesty: completely careless jessy lanza: oh no suzanne cianni: buchla concerts pylon: live jackie lynn: jackie lynn Perry Ryan Top 15 Albums. Those are my only options for happiness. Definitely my most played album of the year. Turn up tha fuzzzzz.

I mean, come on. TacocaT- Lost Time. Angel Olsen- My Woman. Frank Ocean- Blonde. Worry- Jeff Rosenstock. Chicago Theatre. Adam Cavanaugh 1. Molly Mobley 1. Aww maaaaan…. Bacao Rhythm and Steel Band — LPs 1. Heron Oblivion — I listened to this record 5 times in a row after my first listen. My favorite record of the year. Timeless record. Groovy as hell. I do all four sides every time. Karl Blau — Introducing.. So many great reissues. Too many to list. Keep it coming I guess.

But I like that this Russian band is embracing a kind of spiritual seeking. Better than Stryper. It stood out for me as the most pleasurably pagan-tinged and dreamlike aspect of High-Rise, while also fully serving the film. This took place at The Hearn, an abandoned power plant. It was awkward. Wrekmeister Harmonies — Light Falls — It makes me glad that people are finally catching onto them.

They played my 2 live show of the year. Also I love the shirt I picked up there, plus, super conveniently, they also sold me coffee, which I was almost out of. It inspired me to write a new opening for my script and you know what? Thanks The Body. Caretaker — Everywhere at the End of Time — The first of the 6-album demise of the musical project as it slides into dementia. It takes a few listens. Or at least take a few breaks from staring at each other in horror, to shuffle about a bit.

If so, you already know and love this album. But is it black metal? Also 2. Could not decide! Love them both! I loved Hype Williams but I love her solo work more. OK, two for good luck Sorry, I need it. I love the thrill of a new find. If that was all, you know how dope it is. Another December entry. People want to call the Pro. From a 19 year old wunderkind…. Pooh has always been a bit underrated, but on this he shines, particularly because these beats that Nottz put together for him, are absolutely magnificent.

The Good fight is just another in a long series of excellent Hip Hop records. Life, man. Electric Chairs! Mary Halvorson, Meltframe, Firehouse Rob Mazurek, Galactic Parables vol 1, cuneiform 6. Dan Friel, Life, Thrill Jockey 8. Frank Rosaly, Malo, Utech Records 9. Nick Mazzarella, Ultraviolet, International Anthem. Each track really takes you to another world- seriously check this one out folks. A physical edition is coming early ! Very happy to announce that Reckless will be carrying Dream Catalogue tapes and LPs in keep your eyes peeled.

Girls — Half Free 4AD. Here are my personal favorites. Beyonce — Feeling Myself. This taut sci-fi thriller is way more exciting than Gravity and The Martian and comes highly recommended! Godspeed You! Checking the masters means listening to something nine or ten times at least. Velvet Underground take your pick: Matrix Tapes box, super deluxe of third album my personal favorite.

Beethoven piano concerti, played by Wilhelm Kempff if only classical labels approached their catalogues the way the best reissue labels do… although at least the music gets out into the world. S, period. Bully, period. Kill Yourself! The two work out really well. Plus the guests on this are amazing.

With a lot of the production being handled by Earl himself, this is definitely the album we were waiting for. Alice Smith — She This record is everything I hoped it would be. Eric Lipe Daft Punk— Random Access Memories 8. Forest because it was mixed in a field instead of a studio. This is the record no one told you about that you have been looking for. Not your normal rhythms, the musical overlap of lifelong friends is more feels than genre. Sorry, Cliff, but Johnny Jewel is why we liked the Drive soundtrack.

Phil Spector of Neo-Italo-disco. No pressure total enchantment. Kip McCabe 1. Spring Breakers OST 8. Courtland Green 1. Al Tone Edits Volumes 3. Express Rising 6. Bill Orcutt — History of Every One 7. Tindersticks — Across Six Leap Years 9. Sebadoh — Defend Yourself GZA — Liquid Swords reissue with chess set Devo — Hardcore Devo Ken Camden — Space Mirror The Cairo Gang — Tiny Rebels Arthur Russell- Another Thought R Kelly — Black Panties Bill Callahan — Dream River Julia Holter- Loud City Song 3.

Parquet Courts- Light Up Gold 4. Deerhunter- Monomania 5. Daft Punk- Random Access Memories 6. Lonnie Holley- Keeping a Record of It 7. Blasted Diplomats- Blasted Diplomats 8. Ghostface Killah- Twelve Reasons to Die 9. Janelle Monae- Electric Lady Paul McCartney- New Blouse- Imperium Jacco Gardner- Cabinet of Curiosities.

William Onyeabor- Who is William Onyeabor? Roky Erickson- Light in the Attic Reissues 4. Dark- Round the Edges 5. Arthur Russell- Another Thought 7. Botch- We are Romans 9. Cave In- Until your Heart Stops Damon- Song of a Gypsy New Orleans Funk 3- Various Country Soul Sisters Vol. Blake Foley- Cold Cold World Chris Darrow- Artist Proof.

Lea Board 1. Fidlar — Fidlar 2. Night Beats — Sonic Bloom 5. Thee Oh Sees — Floating Coffin 6. Mogwai — Les Revenants 7. Strokes — Comedown Machine 8. Daft Punk — Random Access Memories 9. Unknown Mortal Orchestra — II Boardwalk — Boardwalk. Matt Orenstein 1. William Basinski — Nocturnes 3.

Implodes — Recurring Dream 4. Broadcast — Berberian Sound Studio 5. Bill Callahan — Dream River 6. Ken Camden — Space Mirror 8. The Knife — Shaking The Habitual 9. Rhye — Woman Stephen Steinbrink — Arranged Waves. Tim Quinlan 1. Rhye — Woman Loma Vista 4. Yo La Tengo — Fade Matador 5. Anna Calvi — One Breath Domino 7. The Brooklyn What — Hot Wine self-released 9. Washed Out — Paracosm Sub Pop. October 20th Everything else. Serra room under the Double Door.

War On Drugs: Slave Ambient 4. Destroyer: Kaputt 5. Tom Waits: Bad As Me 7. Anna Calvi: Anna Calvi 8. William Elliott Whitmore: Field Songs 9. Desertshore: Drawing of Threes Stepkids: Stepkids Ty Segall: Goodbye Bread Louvin Brothers: Satan Is Real 2. Paul McCartney II 5. Jim Ford: Harlan County 6. Michael Chapman: Fully Qualified Survivor.

Mannequin Men: Mannequin Men 3. Bloodiest: Descent. Rick Leech 4. Josh Davis Deadmeat Designs 5. Alana Bailey Courtland Green 1. Best record of always. Kevin Hein Full lengths, in no particular order.. HTRK- Work Work, Work - Distorted beats, deep bass grooves, and a drugged-up sounding female vocalist create music that is depressingly pretty.

While his last record focused on repetition, this one dives into slightly different territory by focusing on abrupt starts and stops and the space between them. More subdued, but still beautiful. Noise pop at its catchiest. Haunting female vocals over swirling, warping guitars. These riffs will get stuck in your head for days. Generally less organic sounding than the preceding EPs, this record is aimed at the dance floor. Daedelus- Bespoke- Monome master Daedelus presents us with his version of a pop record.

The old-timey samples are still here, amidst a clustered production of dusty drum rolls and heavy bass, but this time featuring a guest vocalist on almost every track. This is the sound of a producer who has been working hard honing his craft, and has developed an instantly recognizable sound which deserves more attention. Machinedrum- Room s - Electronic veteran machinedrum has mastered almost all genres of dance music and decides to crank up the BPM to the range.

Weird, repetitive sound clips swim amongst his trademark Juno 60 synth-drones. Sounding entirely different from his previous releases, the unfolding layers of repetition are still here, but pack a harder punch. Minimal 8-bit blips and bleeps over dark, brooding beats. Burial- Street Halo EP- The master returns to work finally and gives us another three track teaser of his trademark crackle-y dark textures over broken UK Garage beats.

Neo-acid house at its best. This man has established a sound, and this release sounds so undeniably FaltyDL. Sepalcure- Fleur EP- A beautiful collage of samples, each layer unfolding like a flower to reveal new timbres and patterns.

Earthy organic textures, female vocal samples, and dusty neon synths float in and fold over a cluster of woodblocks, bells, and metallic clanks. Heavily influenced by the current crop of future garage producers, Fleur takes off where the Sepalcure EP left off, managing to be forward thinking while still evoking a certain nostalgia. The result sounds exactly like what you would expect.

Infectious, repetitious future bass music. Melissa Grubbs anna calvi — s. Taylor Brode Sacred Bones Records, ex-Reckless employee Alphabetical as always, this does not include anything on Sacred Bones because that would just be cheating. His courage in writing openly about his own psychological shortcomings have in-numerous times given me the courage to acknowledge and address my own. The new line-up allows Wes and Dom the public freedom to become exactly the kind of Pet Shop Boys they have always privately wanted to be.

I threw my underwear at them every night on stage for an entire week this summer and would do it all again in a heartbeat. This band grows light years with each release and I simply could. On her 1st solo effort she manages to take all the rawness of that song and add a layer of sexual realness to it so thick it has an aftertaste.

Her lyrics touch on everything from narcotic addiction to abusive relationships to eternal love so real it carries through to the next life. Her sense of timing, hook and ability to both create and release tension sometimes simultaneously is simply unparalleled in modern music. My boyfriend and I are both recovering addicts and had difficult childhoods to say the least ; we have an extra closet at home where all of our skeletons hang out together actually.

Needless to say this album is a household favorite, and the only thing we argue over is who has listened to which track on repeat more times in a row. What these young men and their extended family in Denmark have re-taught me in the last year is that if you have faith, loyalty and trust you do not need anything else. Sleep, food, clean clothes, money, etc.

This is not business; this is love. Full Frontal Jock Shaming. Bobby Hill really was. Drink it up, Gothdrips Peaking Lights— Lovers Rock for your resin stained walkman True Radical Miracle—Cockroaches reissue LP Watch your summer vacation go down the toilet in the other direction Iceage—Youth Brigade prison tattoos, unnecessary drama, and primal urgency get every number cruncher with a live-journal way too wet. Swans live your band sucked compared to this…sorry boutcha.

Sloop Tavern. I love d me some Flat Duo Jets… but dare I say this is gulp … even better?! Unfortunately most of the new stuff that turns up is hokey and, frankly, awful. Thank god for Dionysus who are still out there finding exotica master tapes from the original era. Christie stuck to what he did does best and made one catchy- and-fun-as-all-shit album of vintage brassy lounge-pop.

This album sounds like all the songs you like by Neil Diamond with a healthy dose of classic Sinatra. The key here is that there is nothing remotely hokey or ironic about this album- the whole package is just GOOD. From open to close, the lyrics are clever, the songwriting is tight, and it is exceedingly enjoyable throughout.

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My First Year Trading Full-Time · Christian Castillo (Forex)

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